Analysis Of The Western Farmers Paintings

There is concern of farmers theme in the Chinese and Western artists since ancient times traditionally, the performance social change and the farmer theme drawing has its special position in the human development process history, pays attention to the farmer theme is not only the painter explores the way of artistic performance method, is also the way of painter pays attention to social. concernking of the Chinese and Western farmer theme drawing, between both of them has the obvious difference also show all of us a variety of similar kind of state.Based on the Chinese and Western farmer theme drawing Historical Review and the analysis to Chinese and Western farmer theme drawing in different periods, we not only reveals the similarities and differences between them but also can see the interaction betwween them.This paper is based on the Chinese and Western Paintings of farmers themes on the actual situation, in the first step to do deeply total Research on the Chinese and Western Paintings of farmers themes throughout history, from its origin to the context of the development. From ancient times the performance of rural life in the secular subjects to start, to find start clues of farmers image in the Chinese and Western painting,along the time of development and social change, By the time the order discussed historical background of the Chinese and Western farmer theme drawing, the overall characteristics of the image of farmers, the artist's style and other related content. Given some attention to the learning from each other of the Chinese and Western farmers themes Paintings in the Ties in comparison and exchanges to each other, and then from the microscopic point of view, by the method of analogy, made a descriptive analysis of the artister in the Chinese and Western farmers themes Paintings who made outstanding contributions to the development of the representation of artists and their art features, classic image features.In the describing the analysis process, many of the similarities of nature emerged, mainly in the artist's life experience, artistic pursuits, especially in the Connotations embodied with artwork.The similarity showing in the Chinese and Western paintings of farmers subject matter reflects the painting of farmers themes features more complex above the painting itself,The feelings of the good things humanity is connected, the feeling of appreciation and praise on the historical Moral dignified figures is interlinked. The Chinese and Western paintings of farmers subject matter highlight the humanitarian spirit and a strong humane care, respect for farmers and the positive image portrayed on farmers, and the simple emotions, a celebration of honest labor and praise of simple human kindness should be the their common location, We shocked by those most simple and best of human emotions beyond our religious beliefs and local culture, national and ethnic boundaries, and this is the resonated reasons that move us with different cultural backgrounds.In fact, the tradition of Chinese and Western painting, in the mothods of thinking the world, or in the artistic technique of expression, both have distinct differences.Different ethnic groups in different geographical,cultural environment and background, even if they demonstrate the same subject matter relatively independent character of artistic creation is a matter of course. In terms of the Chinese and Western farmers themes Paintings, although sometimes the techniques of using the same materials, such differences also exist.This paper tries to analysis the Chinese and Western farmers themes Paintings thought it Development context and Chinese and Western Paintings of peasants theme representation artist who made outstanding contributions to the development of this field,and analysis theirs Characteristics of their art, classic look features,research the personality and characteristics of common of Chinese and Western farmers themes Paintings in a low level,, focusing on their common characteristics to be a concern.