The Creation Of Modern Film. Analysis And Theoretical Studies,

In the 1960s, with the rise of deconstruction philosophical theory, post-modernism finally set foot on the stage of history truly their own after a long cultural "lurk". This period was accompanied by sexual liberation, hippies, racism, feminism, and many other cultural movements, but also the historical period of coexistence of cultural diversity such as modernism, structuralism, post-structuralism, surrealism. Therefore, postmodernism culture in the context of this particular era inevitably had its unique "postmodern" cultural representations. Post-modernism influenced greatly the development of the entire art direction on literature, architecture, painting, music and so on. The film, as the youngest art, undisputably became the art pioneer for the postmodernism culture sweeping the globe. A new film trend was born, the rise and development of modern film influenced the narrative language of film, film culture connotation, film aesthetics studies and many other aspects. The influence was no less than the "New Wave" film movement. It was inevitably be recorded in the annals of world cinema. The paper, mentioning from the background of postmodern movies, summarizes the development process and glorious achievements of the postmodern film theory, and combs the theory of the postmodern film. It probes into the characteristics of postmodern film aesthetics and the cultural intension of postmodern movies, which tries to provide comprehensive and profound theoretical support for the booming postmodern film.The paper explores the postmodern film which has a blurred life at the beginning through comparative study methods, and concludes the concept of postmodern film combining with the method of literature investigation. The main part of the paper mainly tells the peak phenomenon of the postmodern film created within the scope of the world through work. Then works out several characteristics on postmodern film creation using summarized method. Finally it explores the blooming film theory and the postmodern cultural connotation through documentation investigation method. The innovative points of the paper lies in the combing of the numerous miscellaneous overgrown domestic scholars of postmodern film, and summarizes systematically the characteristics of postmodern film and the impacts. It an innovatively puts forward the postmodern aesthetic theory of the postmodern film motif, Providing theoretical reference for the connotation of postmodern film culture.