Schubert And Chopin's Impromptu In A Comparative Study

Impromptus as a lyric characteristic model of creation representative, piano in 19th century Europe was born. Because of its creation is the summation of the composer occasional inspiration, so always with surprise, sometimes the excited gripping--again, affectionate, but not be leisurely purely optional creation, most impromptus are using 3-sectional, variation type or complex 3-sectional etc norms of creation, which contain both phrasing composer occasional intense emotion, and have a formal creation methods, and so our everybody likes.Impromptus conclusively that is a Czech composer Walter Qi shekels (1791-1825), his writing specific reflected from classicism to romantic transition. He has been in 1820 published a book", as the impromptu piano op.10 representative works of creation, the full musicians produced great impact. However, the real impromptus creation to peak is Schubert and Chopin. Schubert eight piano impromptus revealed his excellent music talent, the flow of music, beautiful melody, such as murmuring streams, inflow listener's heart, deeply impressed by the people. While Chopin also with a representative pieces "fantasy impromptus", the creation of will whole impromptus into another peak.Although both for impromptus creation with representatives of composer, but creative features, artistic style and different music research generalisations, only as compared to the identification, will therefore both impromptus creation comparison study is of importance.Full text is divided into five sections:The first chapter the introduction, this paper mainly expounds the significance, the research method, the subject and the research situation, research objective, etc.The second chapter basically introduces impromptus, the development situation of the beginning of its from production to the development to peak, and puts forward the complete Chopin, Schubert, and expounded the development of will impromptus promoted to higher aesthetic realm.The third chapter are introduced with Chopin, Schubert, first two of their respective artistic style, composer mainly from two aspects, it is them respectively in the background of life and creation and creation course impromptus music creation art characteristics, and then compared them out impromptus difference style of art, and the differences are in detail.The fourth chapter basically from Schubert and Chopin impromptus playing and teaching aspects to playing study, puts forward the problems needing attention and practice when can a solution, mainly from playing techniques and overall wind grasp two aspects, thereby better carries on the deduction and interpretation.Chapter 5 articles last the paper summarized and sublimation, induces Schubert and Chopin impromptus creation comparative study of teaching value, aesthetic value and social value.Conclusion through the article elaborates on the Schubert and Chopin impromptus integral comparative study, it is concluded that the two different types of artistic style, the further understanding of both the romantic era composer, thereby better deduce interpretation of both works.