Kai Huang Yue Yee

This artical studies ancient books and literature targeting at "Open imperial music instrument" which discuss the ritual music in the earlier stage of Sui dynasty. It reorganizes and traces back the historical roots, deep politics and cultural background of the effecting of "Open imperial music instrument". It studies the standpoint and opinion of all music of "Open imperial music instrument" by stages in stages to explain the changes of ritual music and the form of related music in it. The germination of "Open imperial music instrument" in Earlier Stage of Sui Dynasty is inseparable from the historical background, the communicate of music and cultural, the mobiling of musician in fighting and the break of palace ritual music in the turning of the dynasty. The official and musician of the Earlier Stage of Sui Dynasty adjust and reflect the palace ritual music, which leads the prosperous of ritual music in Tang and impacts profoundly the temperament of our country. It is of great research value.The essay is divided into four main sections except troduction.The first part:The relevant background of "Open imperial music instrument"The infiltration of foreign music culture destructs the chinese traditional form of ritual music. In the north Zhou Wu emperor, he married the queen Anas who brought a large qiuci band. Western musicians Su Zhipo is one. His music theory of "wu dan qi diao" is Xuan gong zhuan diao by Zhenyi and yield the theory of "Ba shi si diao" This is very important issues in " Open imperial music instrument". The infiltration of foreign music culture and the communicating with the central music is the important reasons of the germination of the "Open imperial music instrument". Spreading of buddhism music during the Southern and Northern dynasties, when the central and western regions frequent business contacts, the minority regime of the Northern Wei Dynasty, the Northern Qi Dynasty and the Northern Zhou Dynasty ruled the central plains, the happening of "Yi hu luan ya", all this appearance damage seriously the central music. The Northern Zhou Dynasty period, many reasons constitution the complicated history, politics and cultural background of "Open imperial music instrument", such as, alliance of central plains and minority, musician flow in the Southern and Northern dynasties wars and the new dynasty palace and the loss of musical instruments.The second part:Each stage of "Open imperial music instrument".The author studies the "Open imperial music instrument" on the two-stage research. The first stage is before the destroy of Chen Dynasty from open emperor two year to open emperor nine year. In the stage, many people offer different music persist, such as Zheng yi, Su kui, and He tuo, but, in the last, Suiwendi taked the "Huang zhong in a place " of He tuo considering needs of political rule, though other people discuss completely and write books and set up a theory in music, but Suiwendi doesn't recognize. The second stage is from open emperor nine year to open emperor fourteen year when the music is determining this stage is with an emphasis on the dissertation of many musicians, such as He tuo, Su kui and Niu hong. Eliminating Chen Dynasty engenders large south denasty's "Qingshangyue". Suiwendi applaud this "Hua xia jiu sheng" and set up "Qing shang shu" to control. So the music is redefined. Suiwendi still uses "Huang zhong in a place" and disagree with "Xuan gong zhuan diao" when Niu hong raised it again. In such circumstances, Niu hong revises "Fang zhong yue" and redoes "Xuan zhong qing fa", "Deng ge fa", "Wenwu" and "Wu wu" on the basis of the "Huang zhong in a place ". He made great contribution to the ritual music in the earlier stage of Sui dynasty. From the open emperor fourteen year to the emperor Suiyangdi the great cause of six years(610), the stage is the extension of the "Open imperial music instrument", and the "huang gong in a place "is broken.104 pieces is revised in "Da ye yuan nian"(605), and it expand to seven tones. The "Huang zhong in a place is continued for ten years, which is defined with "Open imperial music instrument".The third part:Different kinds of figures and the minds of music.Zheng yi is a reformist in "Open imperial music instrument", by SuZhiPo's "five to seven theory", he use the seven and twelve english for the formation of the law, the "theory eighty-four".His theory has great contribution to the 28 theory, and became an important part of the music discussion. Su kui is an important part of the Old music, he is a conservative musicion, has the "five said". the theory of the music in the first stage was not accepted by the other officers. In the second stage, Su kui with his father has been dismissed, his mind of music was not adopted too. Niu Hong and WanBaochang belong to the old music. Niu Hong mentioned Xuan xiang wei gong, after Sui wen di's rejection, he reconstructed sui akera at the basis of "huang zhong in a palace".As a Tai chang qing, his contribution to the music is tremendous. Wanbaochang's music is for ages, but the identity of the music of the slaves, Su wei made his music for the name of "happy". He became a victim of "Open imperial music instrument" and his music theory was disappeared too. He tuo is the guardian of music and politics, he linked music with political, use music to change polital, it made service for Sui wendi's political rule. Sui wendi agreed to his opinion and use "Huang zhong in a palace". What you said it wasn't understand, Hetuo is a great statesman and musicians, He agrees to old musicThe forth part:The influence of "Open imperial music instrument" and music forms.Although this theory "seven twelve proposed law " that the palace of eighty-four was not adopted, in Tang Zhen Guan two years, Zu xiaosun put it on the agenda, it directly contributed to Da tang akera prosperity, and it influenced the 28 theory far-reaching, sui music, though there is a Qingshang music and foreign music, but it does not represent the mainstream of sui music forms. Sui music people became in the country, and did great coutribution to the new music. especially in Sui yangdi period, new common folk music is very prosperous, and became the mainstream of Sui music forms. Sui new custom of folk do great countribution to the tang folk music."Open imperial music instrument" is the history of chinese akera and the development of the integral part of the ear, It has deep roots and complex historical and cultural background, it lasted for 13 years, involving many of the conference officers and musicians, it was a very important event. In the history, I stand on a real pleasure to discuss the study, try to reveal the development of music and related forms, and try to do small contribution to the subject of the history of chinese music.