Nuo Culture Folk Dance, And Southern Shaanxi

This article tries to base on the witch nuo culture as the breakthrough point and relying on the regional culture through the description of formation, characteristics and development of Witch nuo culture. its base on the investigation a history of the development of Shannan folk dance to research a unique regional cultural characteristics in folk dance from the diachronic, structure and comparative perspective.therby to discover and reveal the historical value of folk dance,humanistic value and aesthetic features,One side is to makes people more in-depth understanding of this widespread as the meaning of traditional folk custom and function.On the other hand is to have a comprehensive understanding of it, and strives to actively rescue, protection, development and utilization of this culture resources.This article mainly have the four aspects of native folk dance formation and characteristics, then research and analyzes the characteristics of witch nuo culture. Main content as follows:Chapter one:Introduction.The author is introduce the reason and the meaning of selected title,outlines the research dynamic on this article, reviews the research status, and illustrates the research method, the thinking and innovative points.In recent years it's more emphasis on the folk dance art research in the academic circle and mades some corresponding research. This article tries to base on the witch nuo culture as the breakthrough point and relying on with regional culture.The native folk dance as a unique regional culture characteristics is to explore the artistic characteristics and traditional cultural belief in folk dance of witch nuo culture characteristics.In order to discover and reveals the history of folk dancing has historical value, humanistic value and aesthetic characteristics.From now on it makes some contributions on development and prosperity of native folk dance.Chapter two:Witch nuo culture review.This chapter tries to start know it from Witch nuo culture of the origin of the China, analyzes and expounded the development of Nuo dance witch is accompanied by witch nuo culture in the dance's penetration and impact, At last it leads to the main forms of etiquette and custom that is the folk sacrifice poses, yangko and the worship god earnestly custom ectChapter three:Stamp of Shannan folk dance-----Witch nuo culture.This chapter is also a key parts of the whole text. It is separately multi-angle proof of geography, history and humanism. In Shannan folk dance witch nuo culture formation reason is deeply influence by historical tradition, regional style and immigration background,it shows the full-bodied in performance characteristics of regional culture. Under the regional environment and history of folk-custom culture background, Qiang, Di, Chu, Shu, Long and many kinds of folk art have been infiltration and fusion in Shannan folk dance. It gradually formed its unique artistic features. It is an important part of Shannan culture,It has not to be neglected of historical and humanities value and unique aesthetic characteristics.As a Qu nuo show for example, it's respectively through "Esau five poor ", " horns drum", "YangPiGu" and "play lamp" to illustrated the witch nuo culture unique regional features, it is appears stamp of Shannan folk dance---Witch nuo culture.Chapter four: Cultural heritage inheritance, protection and development of witch nuo culture.Shannan colorful folk dance is an important components of the native folk art. It is also the key parts of intangible cultural heritage,it is also a precious treasure of Chinese culture.protect and develop native folk dance is every Shannan people's sacred duty.This chapter trys to demonstration the witch nuo culture's research, preservation, inheritance and development of Shannan folk culture and the precious historical materials of humanistic resources in western which is through from inheriting characteristics of the native folk dance, and the existing problems and protection measures aspects.