On The Aesthetic Culture Of The Transition Towards And Construct

Abstract With the reformation and opening in China rise sharply the economy and the unprecedented prosperity of the culture as well. The aesthetic culture in China is changing greatly, with its pattern, characteristics, style and features different from the past. And it has become more different from the traditional one. First of all, with promotion of the pop art, the refined art or pure art could not unify the whole world any longer. Not only such pop art as pop music, big beat and short piece of theatre are popular, but gongfu fictions, which have never appealed to refined taste, are now presented in lessons at institutions of higher learning. Some popular and gongfu fiction writers are even accepted as great masters of literature. 揟he consciousness of highlights and aristocrat?is being challenged more greatly than ever before. Moreover, under the temptation of the cultural market, the bound between art and non梐rt is vanishing. People have new comprehension and explanation to such a traditional subject as 搇ife梐rt?and 揳rt條ife?, which are regarded as a theoretical amulet as to break the bound between life and art. To fit in with the needs of the market, various sub梐rts, quasi梐rts and borderline arts emerge as times require and are getting increasingly prosperous. Furthermore, by means of modern media, TV as a principle part, the bound becomes obscure between coumnercial advertisement and audio梫isual arts. Advertisements are attractive with the help of art, while art is wildly spread by means of advertisements. Ad梒ulture has not only become an important part 4 ofaesthetic culture,but also has agreat Influence onpe叩ie'sh刊 bothofmaterial and幼iritual．兀 agreatextent,it is changingpeople's mode of thinking,aesthetic perception and linguisticusual practice． 'foe rheological pr叩erties of the come叩orary aesoetlcculture are excitingand'orz．ying．At first,aesthetic culture in。general isgradually trivlalized in itsdepth ofhistory,reason andaesthetic,'i仇 the明grayMion of ltsplane,scattered and brokensenses．In a cry for so—called"cutting value",culture becooes "a piece of rsgged clothing put together'ith wents ofcivilization"and"a artascoPe through讪ich everything can beseen"．Secondly,the sensible editation of the aesthetic cultureyields to sensory organ stimuli．The rational core of协e cul加reishdingandeven vanishing,讪ereas theperceptual shell of＊theceptualculture is e邓anding to a degree of supremacy over all．Mdilly po刎e "hllo' their pore6ption"．mey seNom care to ask Mout arts'lthrefined taste,but oey 劝w their gre时 interest in redingmaterials of sensory organ stiamli．As the result of the above,the'third pr汕ie' is that the principle creation has become a ．atter of．nomprinciple mnufacture．Mny people,especially some en ofliterati and artists,have deteriorated in subject consciousness,lost their hlllllane Spirit and their creative passion dis8I)pears,'hichresults in imitations and over'－－－－anu彻ture．肋tivated by economicalinterest,they沏plicate others as'elf as themselves．So．e ediocrend ic'gr的e cul扣raf pro沏ets are du叼＊ Into讪e cultnyal回比盯． The pr血ferns andbuses in the come叩orary aesthetic culture, 5 as stated above, shall eventually, if allowed to take their own course, lead to the degradation of the culture and the degeneration of the art, and aggravate...