On The Evolution Of The Yuan, Ming And Qing Love And Marriage Drama

There is a large number of The Love and Marriage Dramas inYuan ,Ming ,Qing dynasties which deeply reflect the love and marriagesituation of the massive public during this period and the evolution of theirthoughts .This paper describes it from three aspects.First , The Love and Marriage Dramas in Yuan , Ming , Qingdynasties experienced such developing processes as those of using affectagainst formality ( Yuan ) . using affect against reasoning ( middle andlatter period of Ming) , combining of affect and reasoning and using affectagainst power( later in Ming ) , abandoning affect for responsibility andabandoning responsibility for affect (middle and latter period of Qing).Using affect against formality is mainly showed that the maleand female youths struggle against the feudal formality of their parents'order and the go-betweens' words and the spouse-choosing attitude offocusing on properties and family standing. The happy end of reunion is thepraise of playwrights in Yuan dynasty for using affect againstformality .The emergence of thoughts of using affect against formality isthe result of the relaxed control of using Ru thinking school , the product ofthe playwrights' expression of themselves in Yuan dynasty , and thecrystalization of meeting the appreciation demand of the citizen walk.The love and marriage Dramas of using affect against reasoningdeep implication of contents and base of philosophy .The authors admit thataffect is nature of human beings .They sing high praise for the strong forcewhich is above birth and death ,agree with the correctness and beauty ofaffect and criticize the pedantry and absurdity of reasoning.The thought of combining feeling and reasoning is a regressioncompared with that of using feeling against reasoning .This hind of dramasadvocates that affect exists in reasoning and belongs to it .There're threereasons for its' appearance the influence of culture education , the product3OfthC CultllfslpollCyofQlflg gOVefflinellt。ndthe Cryst。lllZ。t1Ofl OfthCdecentlntellectuals'world－saving． Duringthe end ofMing dynasty and the beginning ofQing dynasty,the opposition ofa肚ct andpower Is the key conflict form of＊thect dramasWhich use a征ctagalnstpower．Failure of＊thee authority andpower Is thecommon end．These dramas reflectthe socla置 reality of＊they power'stbltTatlllCSS,b吐 COffipatCd WlththOSI llSlllg feCllflg 3g3lllstformallty,they're concealed the m刃or contradiction．After the middle ofQing dynasty,we have the dramas ofabandoning love for responslbllltyand those ofabandoning responslblllty forlove．The former ones arereprese血ed by《Chang Sheng Dlm》．The later ones are represented by 《Tao Hua Shan》．Abdicating affeffect for responslblllty expresses theplaywrights'noble love ideal,especiallythe equal andunfaltering ideal,the love pursue ofneglecting讪e and fortune,regarding that nothing cansu叩ass love,andpralses the enormous strengthoftrue love which Is abovebirth and de成h．However,劝dlcating love for responslblllty shows theregresslonto thetradltlonal thoughts讪Ichworry aboutthe reality anddissatisfy wlththe world．It's emergence Is connected with theworld－experlencingthl冰lug climate tthe cross ofMing and Qingdynasties a－ndthe unstable society． Secondly,the Love and Marriage value of＊thege dramas ofthls kingduring wan,Ming,Qingproceededthefollowingsteps:thatofphysiognomy,talent a－nd loVe InWan dynasty,thatolthe same opinion InMingandthatofunanlmous ideal during Qing勿nasty． As forthe value ofphyslognomy,talent and love,physiognomyandtalent are the base of＊theent couple yearning for each other．While affectlsthe血emal reason forthemto love eachother－The劝vance oftms valuesomething to do wlththe low social position of＊theon Intellectuals Inwandyll8Sty．ThC SCCOfldV81ilC Is ffi...