Inheritance And Innovation

xiyangxiaogu ", "yangguansandie "and "meihuasannong " was rearranged for piano from Chinese classical music. They have become splendid works of Chinese piano music by their distinct national style and features, which have established their magnificent position in the development history of Chinese piano music.This research of the three music pieces is based on a quantity of document indices, in-depth theoretical analysis and personal playing. It touches upon the brief history of piano music in China and the background of these three music pieces' development, argues the significance of composing them, introduces the origin, adaptation, title, subject matter and themes of these three works. It also draws a detailed analysis of such features as of harmony and texture of them. At the same time, it makes ~ specific annotation on the playing technique from the following five aspects: rhythm, figuring, ornaments, means of touching, and using of pedal. It points out how to express music in three aspects of grasping the playing thoughts, conveying the emotion and expressing the lingering charm. It shows us the requirements on teaching the adapted music works by the three aspects of music sense cultivation, technique training, and playing psychology.This article aims to help people have a systematical and all-over understanding on the styles and characteristic of these three music works adapted for piano, to help them have a correct knowledge of the contradiction and confusion between Chinese and Western music culture and handle the inheritance and innovation in the process of composing and playing. By this, I wish to do a little effort for the development of China music and piano teaching.