Chinese Works From The Hills Set Several Piano Playing And Teaching

As aforeign instrument,piano has merged into Chinese culture for nearly one hundred years,during which the Chinese piano music has developed to its blossom with decades of people's efforts.as the piano comes from abroad,there are naturally cultural collisions in the process of localization,and the Chinese piano music works are right the result of this collisions. As are derived from the western culture,but in the mean time,they are rooted in Chinese culture,and are created by Chinese composers,hence they clearly demonstrate Chinese characteristics. Starting with "Ta Shan Ji",this thesis explores different aspects of Chinese piano teaching of playing Chinese piano music works.Based on the discuss of the trinity of melodilization,ornamentation,and verve,the thesis analyses its realization on "Ta Shan Ji"and other Chinese piano music works;and from this the thesis attempts to summarize the performing characteristics of Chinese piano music works;and after an integration of melodilization,ornamentation,and verve,the thesis proposes some clues on piano teaching in China.The author studies this proposal by reading large number of books and theses,listening to recorded materials and assimilating researches.The thesis will probably bring new ideas on performing and teaching of Chinese piano music works so as to attract more people to devote into making Chinese piano music more and more prominent.