Hideo Song Cycle "never Closed Theater" In The Analysis Of The Ditch On The Creative Features,

In 1999, The Japanese composer MIZOKAMI Hideo (1936-2002) created I voice suite titled Sempre aperto teatro which has the same name as the book of poems written by Italian poet Patrizia Cavalli. This production can be considered as the aggregation of eastern and western culture and it re-discusses the most interesting topic in the history of human beings, i.e. the issue of relations between man and woman, therefore it arises great attention of academe both west and east.This thesis tries to inspect Sempre aperto teatro from the following five aspects: producing background, the connotation of style, producing characteristics, humanism background and aesthetic field. Firstly it analyses the producing background of this feminism works and gives out a short introduction of its content. Concerning the features of the production, it analyses the applied central chord technique. This neoclassicism composing style ,born in the early period of the 20th century, on one hand, reserves the traditional method of sequence shift and transformation .On the other hand, largely strengthens the intension of the works by applying great deal of dissonance harmony, obscure tonality, and original rhythm combination.Concerning the humanism background, the penman considers that the composer fuses the national factors of Japanese traditional music and the Italian opera culture as well as the language tones and rhythm. It creates the modern style of national music with meaningful and affectional features and therefore presents both fresh and dynamic feelings to the world. This production incarnates the whole principles of the aesthetics conceptions in the 20th century while it exploits new ways for the development of the Japanese music.At the end of this thesis, it puts forward that the creation of modern music must face up to the issue of the relationship between cosmopolitanism and nationality. From MIZOKAMI Hideo's Sempre aperto teatro, we can find out that only when it concerns the issues of time spirit and those catches globe attention, may it become the world music works. Hereby, throughout the research of this thesis, the penman believes that the ways of combining the modern composing techniques MIZOKAMI HIDEO with the national traditional music, and modern music techniques with modern humanism content, which including the creation of MIZOKAMI Hideo's works, will arise the attention of Chinese music academe.