The Text is to give some different opinions on Schumann's piano divertimento against the appraisal judgements in history and the comment recorded on some authoritative music history books that it is loosely organized. Through the in-depth analysis of threeaspects-the "Form free" embodiment and certainieses inSchumann"s piano divertimento "Papillons", the unity of the romantic charm and the control of the romantic charm in playing,it attempts to excavate its art inside information, that is , "surmount but form visit" ,so as to make people have a clearer ,deeper, overall understanding to "Papillons",thus hold the characteristic of Schumann's piano diyertimento all-sidely and more accurately and catch the unique style while playing. |