Wang Wei, "the Poem Painting Art Research

Painting-in-poetry is an important aspect which can not be skipped in the artistic study of Wangwei's poems. It's also an important subject in the artistic study of poetry of Tang Dynasty and Chinese traditional poetics. However , in recent years, more and more scholars have doubt on the opinion, and the understanding to this issue get more and more perplexed. Moderns often analyze Wang's painting-in-poetry from the aspects, such as color, lines, composition, etc., and the profound content is probed into few. In addition, it's also insufficient in research of the reasons causing Wang's painting-in-poetry to form. This thesis consists of two parts: Part One mainly defines historical meaning of painting-in-poetry by discussing it's historical development of connotation and reasons of development. On the basis of it, this text offered the proposition a piece of explanation of modernity: Painting-in-poetry is a natural and elegant artistic state that feeling and setting happily blended in the poem. There are two kinds of painting-in-poetry: created-aspect' and accepted-aspect's. In addition, there is one kind on creation-ago aspect. Part Two concentrates on studying painting-in-poetry of Wangwei. The thesis analyses its uniqueness from the vertical and crosswise, and points out that only use the skill and technique such as color at stage of creation-ago, and in the course of painting-in-poetry in created-aspect forming, poem laws are used mainly. At the same time, the article points out the emotion, the scene and the combination ways of the feeling and scene in Wang's poems all agree with spirit drawn. Then, the article study the reasons taking place in this phenomenon from many aspects. Finally, this text discuss the status of Wang's painting-in-poetry in the history of Chinese culture.