"mad" And "sad" The Life Geku,

Lu Ling, an important member of "July Group", shall not be ignored. Especially his novels written in 1940s represent his greatest achievement in novel creation. The article selects his novels in 1940s as the research object. And it takes its unique aesthetic style as the cut-in point, induces and combs the style feature of fuse of "sorrow"and "craziness". At the same time it analyses the factors which affect the style, such as times and history, mainland and foreign territory, self and environment. And further it reveals the significance and value of his novels in the modern literary history. Introduction: this article selects Lu Ling's novels written in 1940s as the research object. First of all, on one hand, his novels in 1940s use realistic pen to reveal the social darkness and chronic illness, which continue the enlightenment theme criticizing the national weakness founded by May Fourth writers such as Lu Xun; on the other hand, this literary theme is completed by his unique aesthetic expression. The crazy, distorted characters and animated environment fuse with the sad, bitter, solemn grounding, which forms an aesthetic feather combining sorrow and craziness. The interest of this article is to comb the aesthetic paradigm full of personality. Second, although there are breakthroughs in the research on Lu Ling's novels since the New Period, there is great room to explore, especially for the analysis and understanding the aesthetic paradigm of his novels in 1940s, which is the writing motivation of this article. Section one: start with the aesthetic style, the article intends to explain the feather fusing sorrow with craziness. Part one: expound the aesthetic feather "craziness". From three aspects this paper analyzes the forms of craziness. First are the crazy and distorted characters. Lu Ling provides a group of crazy and distorted figures. Whether from the outside feather such as appearance, clothes, actions, languages, or from the surge of potential mentality, these characters show abnormal craziness. They are the strangers in the history. Second is the crazy and distorted environment. In line with the crazy characters, the environment is full of mania. At the same time, the crazy environment is the source of the crazy figures and becomes the subjects of the novels. Third is the crazy narrative manner. It is showed by the narrative rhyme, narrative person, narrative language, which combine with the crazy figures and environment. Part two: expound the aesthetic feather "sorrow"in his novels in 1940s. This paper analyzes it from three aspects. First is the sorrow, which stimulates the craziness. The figures in the novels bear the burden of life and spirit, most of who were boiled in the pool of life. These figures accumulate the power of resistance and eventually they go to the resistance weather of the text. Second is the sorrow, which accompanies the craziness. In the works whose characters are intellectuals, the figures are full of anger; in the works whose characters are non-intellectuals, the figures are full of sadness. Third is the sorrow,...