| As an outstanding young man in the literary world in the 1940 s,Lu Ling is a very talented and individualistic writer.Throughout the creation of Lu Ling,the 1940 s novel could be a representative.The study of Lu Ling’s novels in 1940 s has mainly focused on a single angle,but it lacks a comprehensive analysis of the complexity of Lu Ling’s creation.Therefore,this article would like to systematically summarize and analyze the characteristics of Lu Ling’s novel creation in the 1940 s from the following three parts.The first chapter mainly explores the theme of Lu Ling’s novels in 1940 s from three aspects.The first is the pursuit of the theme of enlightenment.Lu Ling inherited the theme of national character from Lu Xun,with "mental slavery trauma" theory,through the analysis of the people inside the mentality to complete the servility enlightenment tradition breakthrough.Under the writing theme of the left wing class,Lu Ling has excavated the resistance and revenge of the weak in the insulted and oppressed class represented by Guo Sue.Unlike the indoctrination of the political concept on the bottom people in 1930 s,Lu Ling’s Thoughts on class oppression and class nature penetrated into the hearts of the masses and excavated the source of rebellion existing in the consciousness level,that is,the strength of primitive life.As the literati in the 1940 s,the creation of nature is inseparable from the emergence of salvation.In writing the theme of salvation,Lu Ling’s reflection on the consciousness of salvation makes the theme of the novel profound and complex.In the theme exploration,this article put Lu Ling’s novels in the historical perspective of 1940 s,and combined with the writer’s left wing and Enlightenment position to explore the complex connotation of Lu Ling’s novels.The second chapter analyses the three characters in Lu Ling’s novels.Three kinds of characters of Lu Ling’s Novels: intellectuals,hungry and homeless women.The same type of characters was further classified and refined to explore the survival situation of different characters in the 1940 s.The people behind the category of shaping,looking forthe creators of Lu Ling given in the characters of praise and satire and lament.The third chapter discusses the main realistic style of Lu Ling’s novels in 1940 s by analyzing the realistic and realistic features of Lu Ling’s novels from the perspective of narration and language.The breakthroughs of the third person perspective,the display of the psychological quality of the characters,the heavy sense of experience on the description,and the intellectualized personas,all reflect the passion of subjectivity on the basis of realistic creation.The concluding part summarizes the significance and value of Lu Ling’s novel creation in 1940 s,and also points out the problems in the creation of the novel in this stage.The continuation of the 54 spirit,the in-depth excavation of the theme of enlightenment,the revelation of the public’s "spiritual slavery trauma" and the publicity of the original vitality,Lu Ling’s practice of realism in his novels.Lu Ling is not only aware of the mission of the times,but also explores the unique aesthetic pursuit of literature.Through the presentation of the novel in 1940 s,Lu Ling made an individualized interpretation of the era with his unique novel creation.Lu Ling’s exploration of the spiritual world of the characters has indeed injected fresh vitality into the modern literature.Lu Ling’s display of multiple levels,mutagenicity,contradictions and entanglements,enriches the image of the characters.But the writer obviously failed to control his emotions,and the excessive penetration of creative passion influenced the rational color of the text to a certain extent. |
