Chest Possession Of The Vals Vientiane Special

In Chinese drawing history,the drawing style of the ming dynasty changes so rapidly,the flourishing schools of painting are known generally, from the very beginning palace painting which is the champion to the wumen which outshine others ,as well as the national political situation which is in turbulence of the Ming later period , a lot of outstanding refined scholars show their views clearly one after another and leave the multitudinous magnificent inheritance to our descendant, In the National conflict class contradictions extremely intense end of the Ming dynasty, the drawing domain actually appeared the new atmosphere in particular- because the painting circles of the portrait painting appear with the coming of the Ming Dynasty entering the middle and later periods-Demonstrate the such kinds of phenomena that "zhejiang" school flows to the coarse simple way and imitate Tang Yin, as well as Qiu yingzhe becoming Weak and extravagant day by day.. Chenhongai is a dark horse at this moment and sweep the shortcoming custom. He mixes traditional custom art and the advantages of the folk printing, in outside Zhejiang , Wu , and create a style of his own. It express author's bright views concerned love and hate by entrusting the certain implication to the subject. Personage's image is overstated even out of shape, the imposing manner is gigantic, the style is high and ancient, the lines temper toughness with gentleness , and is filled with the ornamental and metal and stone flavor. It is dense to fill in colors on a sketch and is being extremely refined with the great custom. This thesis set about the analysis from the historical background , put forth effort to analyze his style achievement in the figure painting , and draw the conclusion from it: Chen HongShou's talent painting was undoubtedly extremely remarkable in the Ming Dynasty at that time, his painting styles bring far-reaching influence to our descendant, at present, it is also of the high reference value.