Zubin Sharansky Two Pa Dita "study Of The Performance Technology

Vladimir Zubitsky is a famous composer, Bayan concert performer and educator.The literature style of his works is widespread involved in opera, pantomime,symphony, chamber music and instrumental solo and so on. These works he createsfor accordion occupies important status in the world accordions. As an excellectaccordion composer, works Zubirsky creates are full of profound connotation, and thetechnique is adept and novel. His famous accordion works include two sonata, threegroups child suit and tow partitas. As his magnum opus of Bayan ,the two partitas -"PartitaⅠ-Jazz improvvisazione" (created in 1978) and "Partita Ⅱ-Jazz partita"(created in 1990) become the works which could be heard frequently in theinternational and domestic large-scale competitions in recent years by its exquisitemelody, excellent skills and the novel music elements, and which have the significantresearch value.Depending on the music noumenon analysis -the main clue, the thesis makes acarefully thorough research on these two Partita. From this, the creationcharacteristics, music style as well as the creation technique in the two works areinduced. The corresponding prompt is also made for the performance techniqueinvolved in the works.The thesis is composed of four chapters. The first chapter in this thesis brieflyintroduces some background information, such as jazz history, jazz music theory,Partita's historical evolution as well as composer's survey and so on, preparing for thefollowing analysis. The second chapter mainly analyses the music noumenon of thefive movements – Intada, Toocata, Aria, Perpetuum mobile and Epilogo -which areinvolved in "Partita Ⅰ-Jazz improvvisazione". According to the above-mentionedanalysis, the creation characteristics such as traditional music types of literature andmusic elements of Jazz in the first works are summarized, and the prompt to itsperformance technique is made too. Following the pattern in the second chapter, thethird chapter mainly analyses the music noumenon of three movements – Allegretto,Andante and Presto -which are involved in "Partita Ⅱ-Jazz partita", summarizes itscreation features such as characters of Jazz music and its' idiosyncrasis of Bayan andgives the clue to corresponding skills of performance. The fourth chapter implementsa contrast between the tow Partitas on the foundation of the research and study in thesecond chapter and third chapter, make a comparison and summary to its general andspecific creation characteristics, and expound the music value contained in the twoworks.