Lao She's Drama Novel Structure

Lao She is a tremendous drama writer in the modern literature of China. He had written for us Tea House and Long Xugou such enduring dramas. It adds dazzling brilliance for China and the world in drama kingdom. But, unfortunately, in contemporary theorists, the research of dramas of Lao She is still quite weak. Most of the research is still in the ideological content of the analysis and interpretation . In many Chinese drama writers, the works of Lao She in the drama of the structure are more characteristics. It is also a tremendous success in the Kingdom of Lao She's unique contribution to the host. This paper mainly analyzes the structure features of the drama of Lao She for hoping to contribute to this field .In this paper the writer mainly adopted the methods of analysis and comparison . In this paper, wrote in the art of drama structure of the unique contribution is to create a novel structure of the drama. He makes the drama in structure showing the characteristics of fiction and tendencies. The article is divided into three chapters.The first chapter is mainly to analyze the novel structure of the dramas from the description form and conflicts . As the novelist, Lao She always using novel ways to describe in creative dramas. This breaks the traditional kind of frontline in the end of the dramas. He used the described methods to fragment narrative structure drama . In the handling of the conflict, the dramas show the strong sense of desalination. Generally, there is no kind of traditional drama interlocking or an upsurge after a wave of plot development, showing the characteristics of natural simplicity.In the second chapter , We mainly discussed the circumstances of the drama. Lao She's dramas break the traditional theory of the circumstances first and figure second in the setting of the circumstances. Lao She uses the methods of the figures first and people taking things the way to create novel images of the exhibition-style drama structure. This structure of the script and the concept of art in the drama break the traditional format. The circumstances is not important to the dramas, but the characters are important . The figures led to the circumstances. The relationship between the characters and conflicts reflect social reality and the fate of the performance figures. Creation of such dramas has something in common of the novels of Lao She.The third chapter chiefly inspects the stage design of the time and the space and the stage capacity. Due to the restrictions on stage, the script right out of time and space is limited. So the dramas ask for a full time sexual. But when Lao She creatived dramas, he rarely considered the limition of the practice time and space constraints .His dramas are broadminded and the stage time and space capacity are also more open. They not only have the characteristics of the novel, but also contain the epic charm . From this angle, his dramas are more like a novel tremendous momentum. This, in turn, is similar with the novels.