The Text Structure Of Liu Ke Pioneer Novels

In his avant-garde novels,Liu Ke outlined four different levels of text structure.Through this outline,the author conveys the author's unique understanding of the structure of the novel and the spiritual concern of the embarrassment of the present life.The paper is mainly include three parts.The first part is the introduction,which expounds the current research situation of Liu Ke's avant garde novels and the definition of "textual structure".The second part is the main part,which explains four different levels of text structure characteristics and their connotations respectively.The first is to escape from the word structure: the word as a structure refers to the relationship and characteristics that a word presents on its signifier besides its signified.The construction of certain words is also a deconstruction of another word.The structure of the occlusal and textual criticism of words and words creates a kind of fuzziness and uncertainty in the structure,and the hybridity of the words of several words extends this ambiguity and uncertainty to the realm of mystery.Next is the rhetorical structure of rebellious Poetics: the intervention of large scale rhetorical devices and the rebellion of rhetorical subjects,thus forming a text structure.Through rhetorical devices such as parody,repetition and fragmentation,the subjectivity of poetry is dispelled,presenting the contradiction and confusion of the main body.At the same time,it also integrates the author's attitude towards life,that is,to take a witty way to the existence of human beings,to dispel the heavy life and to be banter in the world.Again,it is the narrative structure of dismantling the story: using the writing strategies of intertextuality and vacancy element narration,the traditional single linear narrative is dismantled one by one,resulting in the hybridity of multiple events and the formation of a new text structure.The multi angle way of narration breaks the previous reading mode,stops the reader's target expectation about the text,disrupts the rhythmic order of the text,and enriches the narrative connotation of the text.Finally,the time and space structure of subverting order: as a textual structure,the time and space is divorced from the time and space of story.The author constructs the time and space of the story while deconstructs the time and space of the story.In the real and fictitious time and space,the narrator and the narrator butt seamlessly,walk freely,and follow the domination of time and space.It leads to a true and illusory trance.On the other hand,the time and space of the yuan that appeared,in structure and the fictitious space and time,interacted with each other,increased the depth and breadth of the narration,and combined history and the future as the reflection object of "reality",and completed a certain warning to the fate of mankind and the world.The third part is the epilogue.It summarizes the unique value of Liu Ke's avant-garde novels and its literary significance.The three novels of Liu Ke are the collection of multiple tones.The characters are behind the environment and the story.The former structure in the text is torn under Liu Ke's pen.The author intentionally does not write the works full,leaves a lot of space,lets the reader have the ability to participate,and has a better communication relationship with the reader.Such a way of making the novel presents an open structure.Openness is not only the presentation of Liu Ke's vanguard novels,but also a kind of life state in the present and future.It's the spiritual portrayal of modern people.