Guizhou Basha Miao Music Dynasty

The Miao minority is one of minorities with great population in China. The Miao minority has a long glorious history. And its distribution presents the characteristic which lives together with different nationalities greatly, slightly lives together. Because of this kind of distributed characteristic, the Miao minority's music culture appears different style characteristic in each area.Biasha village which is situated in the east of Guizhou Province is a Miao minority village. The meaning of Biasha is refer to the place with middle finger vegetation. Although Biasha only has several kilometers from the Congjiang county seat, the person in here is pleased to be in the self- seal environment for a long time. People's life of Biasha Miao minority until now also has been remaining the multitudinous Ming and Qing Dynasties' trace, like the man remaining the hair bun, using the sickle to have a haircut and so on, Biasha is called Miao minority culture live fossil by people. Biasha Miao minority creates, preserves and develops its own culture. And now Biasha village is maintaining the primitive ecological environment. Moreover Biasha people maintains the traditions that the male adult keep his long bob, have a haircut by the sickle, and men work in the field and women weave in the house, the hunting is a partner. From the past They believe the tree god and the sun god.Biasha Miao minority music culture, which is breeded and produced by Biasha's unique culture both holds the common cultural characteristic of the ancient times Miao minority music and meltes into Biasha individual exceptional factor.The full text was divided into:Firstly, the brief introduction of Biasha research present situation and the material originate, and the discussion studies goal, scope and object and on-the-spot investigation process.Secondly, this article obtains from music classification: in thefoundation of the existing tradition music classification theory, the article unifies the native inherent culture idea, the esthetic habit and the humanities environment and so on to carry on the scientific division to Biasha's extant music, especially paying attention to the research of the folk classification.Thirdly, the article carries on the analysis to its music form. According to the author's fieldwork collection materials, it carefully analyzes the characteristic of musical structure and so on.Fourthly, the article conducts the relativity research and the cultural explanation to Biasha music. In the foundation of anlysising Biasha Music, the article tries to summary, analysis the relationship of Biasha Miao songs and Lusheng music with the peripheral Miao minority music. And it further explains Biasha tradition music with the cultural ecology macroscopic method, including exploring the origin and the esthetic psychology of Miao songs and analyzing the Lusheng festival's primitive cultural connotation, thus carries on the comprehensive elaboration to Biasha Miao minority music in many theories questions.Finally, summarizes the findings from discussing the tendency of Biasha music in the contemporary society and the relationship phenomenon of music and culture. At the same time from discussing the inheritance function and function of Biasha musical culture.