Heidegger's Artistic Conception Of The Nature Study

In resent years, with Heidegger's works constantly re-publishing, and the evaluation and research on his thoughts gradually deepening, the study of Heidegger's art view has been an important aspect of domestic study on him. Generally speaking, the present research on Heidegger's aesthetic and art view are mainly emphasized on such aspects as follows: the first one is the relationship between the traditional aesthetics and that of Heidegger's; the second one is his basic aesthetic thought and art view; the third one is his ontologic poetics; the fourth one is Heidegger and aesthetic modernity; the fifth one is about how his aesthetics developed by stages. By summarizing, we can find that, though the present research on Heidegger's aesthetic and art view has made certain accomplishment and some insightful works have been published, there still exist some problems such as single discussion, careless classification, "attaching labels" and so on. Few works have deeply analyzed Heidegger's aesthetic and art view, and we need to do more research to find out the inherent association of certain issues.Based on making a simple discussion on Heidegger's philosophy, this thesis studies the inherent relation between each aspect his art view included, discuss the point Heidegger looked through and different methods that he used to study art, also pay attention to the part that Heidegger's art view surpasses traditional aesthetics and artistic theory to obtain the essence of his art view. So, there includes six chapters in this thesis to do relevant research.In chapter one, it makes a single discussion on Heidegger's basic ontology. Based on this, it illustrates how the basic ontology relates with artistic issues, and the guiding effect of the research on art. From this, we can find that, the manner of writing this thesis is: using hermeneutic way, viewing art from the most essential factor ---the work of art, and at last return to the work.In chapter two, it discusses the relationship between existing, truth and the work of art. Studying from the nature of the artistic work, we know how the work of art relates with truth. Learning from the creation of the artistic work, we understand how the truth goes into the work of art. This chapter mainly talks about the substance quality, the nature and the producing of artistic work, making a foundation to discuss the essence of Heidegger's art as follows.Chapter three is about the essence of art. By doing the research, we know that Heidegger's final goal is not to discuss the nature of the work, but to answer what is art. He unifies the artistic work on hand and originator's preservation as a concept of "poet", and calls the essence of art "poet". So this chapter emphasizes on the concept of "poet".Chapter four mainly talks about the second stage of the artistic work's preservation: After the work was created and broke away from its originator, how can the work be an independent being that differ from others and visualize the truth contained in it? This chapter also involves the accepter who has a close relationship with the second stage of the artistic work's preservation.In chapter five, it first explains several Heidegger's conclusive argument about art. Compared with traditional art view, a more reasonable, advanced research manner and viewpoint has been shown out in Heidegger's art view. This chapter also concludes Heidegger's view on the essence of art.Chapter six is about the evaluation of Heidegger's art view. In the first five chapters, we try to analyze the relation between each part of interior art from Heidegger's point of view, and summarize the essence of art. In this chapter, we jump out from the artistic research view of Heidegger himself, while concentrate on other's thoughts about Heidegger's art view, and find out the rationality of his view of the essence of art, at the same time, we also discuss the deficiency of his view from our own aspect and try to correct the unsatisfying parts.