On The Japanese " Sending Of " Art And Its Enlightenment On Contemporary Chinese Art

This paper researches on Japanese Mono-ha art in the 1960s, and compares it thoroughly with Chinese modern art. Although the two exist in different times and backgrounds, it is still of practical significance to conduct comparative research on them.Mono-ha art is a critical movement in Asian art. It deserves great attention for the form of its works, concept of creation, and the relationship between regional art and modern art.Through the analysis of Mono-ha art in this paper, we will find that the most valuable point of Mono-ha is that it originates from the Oriental art itself, and develops under the background of international culture instead of emerging only as an annotation of the trend of Western thought.It is easy to find that, in the analysis of the characteristics and causes of the development status of Chinese modern art, the problems faced by Chinese modern art and the cultural circumstances of Mono-ha at that time share a lot of similarities.The actions the Mono-ha artists took under the influence of Western centralism and the trend of Western artistic thought, as well as their efforts to build up another modernity different from Western modernity deserve deep contemplation of the Chinese artists.Therefore, during his research, the author takes the history of art as the theoretical basis of the comparative research, and combines the theory with the practice as the research approach. The purpose of this research lies not only in the origination and development of Mono-ha art, but, more importantly, in the fact that, through studying the successful experience of Mono-ha art, we are able to point out the development and its difficulties of Chinese modern art, and the author also puts forward his own thoughts and opinions with regard to how to make Chinese modern art become really international to create a kind of modernity different from the Western one.