On Jiang Zhao And Ink Portrait

Jiang Zhao He and is the pioneer and the great master which 20th centuryemerges reforms The figure paintings in ink and colour. At the beginning of 20th centuryin big cultural context dramatic change, he positive admits the painting thepractical dignified modelling idea, melts it in the Chinese tradition painting, and as soon as changes the predecessor to ignore the realitythe defect, the critical realism spirit to face life the misery, theprominent solution The figure paintings in ink and colour performance realistic character's difficult problem, changed the modern shape for The figure paintings in ink and colour to develop the broad world. His innovation thought and the practice are in the Chinese water ink portrait true significance modern transformation, has the continuation to open after the vital role. Jiang Zhao He and by its outstanding artistic achievement, pushed the traditional Chinese portrait to a newcourse.This article take Jiang Zhao He and the artistic achievement highest water ink portrait as the research object, the full text divides intothree chapters. First, from Jiang Zhao He and the biography experience,the time background and then artistic environment to start ,analyzes it regarding to form Jiang Zhao He and the artistic view eachkind of actuation factor.Next, through to Jiang Zhao and the entire artistic course by stagesas well as to the different stage work concrete analysis, attempts from the whole to grasp Jiang Zhao He and the artistic characteristic and the intrinsic artistic idea which presents in thedifferent stage. Finally, take Jiang Zhao He and artistic prime season water ink portrait as main discussion object, to among them inesthetics idea, the mental connotation as well as the artistic construct makes specifically the thorough analysis elaboration.