This article firstly takes the new historical principle as a theory basic in the first chapter, from which angle we do a whole inspection to the historical films of the individual-time, and describe the historical films' whole reforming characteristics in this times.After that, in the second chapter we pay the attention to the manner how the contemporary person regard the history, as well as the significance of the history leading to the contemporary person. We will analyse how must the contemporary person face the big history, carefully comb the manners and ideas towards history in the movies, and point out their merits and insufficiency.In the last chapter ,through making a macroscopic and microscopic unional elaboration to the questions of the individual and the whole, nationality and modernization, and simultaneously making a comparison research with every effort about the European ,Americal and especially the Asial historical films, we will seek the best written way in order to provid the beneficial ponder for the historical film's creation and the cultural reconstruction of the current China. |