Narratology Threshold Zhang Novel

It is the effective way to explain Zhang Jie by research the narrative question of Zhang Jie's novel. By this way, we can penetrate into the text, and see clearly its intrinsic unique feature, thus avoid the unspecific condition by the impressionistic criticism. This paper combs the evolution path of Zhang Jie's novel narrative characteristic clear simultaneously, to both grasps the cultural connotation which the novel narrative characteristic conceals, and grasps the relation between the text and the explanation linguistic environment relations diligently. Under the apparent threshold of narrative theory, through the research about Zhang Jie's novel that unifies the lasted condition and altogether condition, we can discover its narrative characteristic, the narrative pattern, the narrative function, the narrative strategy and so on a series of question rule. This kind of research has the vital significance to comprehensive, to know accurately the writer and the unique status of literature history.We may obtain understanding of ZhangJie's novel narrative in different stage from the lasted tense inspection:First, looked from the narrative words shape, from the stepping in literary arena to now, Zhang Jie's novel has experienced a variation process that from the national words to individual words, and the suspense narrative , and situated between this process middle is the modernism narrative words that fills the tensity.Second, looked from relations between the narrative shape and the ideology, she's earlier period works displayed the isomorphism characteristic between story and idealism. The author once believed the story to be able to load the idealism fervor and the faith. This kind of narrative pattern is decided by the cultural linguistic environment that the literature faces in, and has connected closely with the"national fable"that promotes the country and the nationality prosperously.Third, connected"the event"by dependence on"the field effect", and reflected the social development advancement in the dispersible event is the important narrative characteristic of Zhang Jie's reform novel. This kind narrated increased the scene feeling of novel, and has developed the breadth and the depth that the novel reflects the reality. The narrative time characteristic of is pursue the coordination of story time and the text time, and follow the linear time order and the event causal relation. The novel narrative speed is slow, the narrative span is also small. Operation urgency and the self-confidence in Zhang Jie's reform novel, as well as the narrative structure characteristic concern similarly with"the national fable".Fourth, Zhang Jie's modernism novel said goodbye to the story. The story was submerged in the narrative network, which wove by a series of modernism narrative technique, and the words itself significance surmounted and has crushed the story. Zhang Jie's modernism novel has strongly"can refer", but it"refers"is actually fuzzy, broad. The most major characteristic of Zhang Jie's modernism novel displays in the narrative time and in narrative spatial processing. The unique narrative spatial arrangement, has accomplished one kind of narrative structure of spells posts pictures -like; Orderly narrative time establishment, also enable the novel to have the unique narrative rhythm. The in-depth reason that span from the realism to the modernism is writer's up-to-dateness awakening.Fifth, looked from the narrative level, it can be found obviously"the first narrative level"in author's earlier period idealism and the realism works; She's modernism work still might be discriminated"the first narrative level"; But when arrived, ,"the first narrative level"has vanished, narrative structure level slurred; The narrative words of is between the fictionalizing and on-the-spot reporting; Its critical narration words played the vital role in the text; Again narrates creates the unusual narrative frequency, suppressed the narrative speed, and enable the text to have not the opaque quality of material; Control and the reorganization of information are its important narrative strategy. The model narrative sequence of is'outline - - front narrates but actually - - narrates but actually - - extends the narration."Sixth, is"the modern romaunt"that put on the serious literature coat. This is a text that has the most quick narrative speed of Zhang Jie. It symbolized that Zhang Jie's novel narrative stepped out new footsteps in fusion direction of lofty and popular.From altogether the tense research, we may see the main narrative rule of Zhang Jie's novel:First, looked from the novel artistic structure pattern, Zhang Jie's novel has experienced the successional variation process that from"the plot - individuality"pattern, to"the implication - symbol"pattern, to"the mood - plot"pattern, until returns"the plot - disposition"pattern currently. The evolution of this overall art pattern is not only the artistic form evolution, but also has inseparable relations with the vicissitude of cultural linguistic environment similarly.Second, looked from the function change of narrative pattern, the narrative pattern of"old man young wives"once was the character structure pattern witch expressed ideal love boundary, afterwards this pattern evolved actually a narrative pattern that expressed the female consciousness, and buried love myth. It can be explained that the identical kind of narrative pattern might become the carrier of different ideology, spirit boundary, psychological tendency along with the writer's thought change. The implication change of narrative pattern was decided by the change that became aware to the life feeling of writer.Third, the works that revealed cleanly female consciousness has the narrative characteristic generally below: One is the feminine characters is designed all for the middle age intellectual; Two is the masculine image blurs attenuated mostly. In , the clear actor's image is for expresses imagination of country and nation only, once involves to the amphoteric ethics relations, the masculine image becomes fuzzy. This is similarly one kind of narrative strategy performance, for demonstrates the feminine sex experience fully, the masculine image must be weakened peripheral in the text naturally. The propelling power of the story development is the resistance that the female against the male power, the pursuing by female independent personality and the feminine self-sacrifice spirit. Four, in all ZhangJie's novels that perform feminine consciousness all used the omniscient and omnipotent third person narrative view, but this kind of narrative view actually is to have know and to have not know intentionally.Fourth, looked on the historical consciousness, has written the contemporary history with the visualized language, and join the chorus to reconstruct history. The latter two works displayed the personalized history feeling under the feminine consciousness, and the two all were evolution texts from"objective historical (History)"to"subjective historical (history)". Historical fortuitousness, the female consciousness, the individual destiny and so on have all challenged historical lofty and inevitability.Fifth, constitute obvious class relations of intertexuality with and Hawthorne's. When the character"A"moves to Zhang Jie's text, its significance has had the significant variation, and the significance of original religion redeems of the character"A"was dispelled, but turned the symbolic mark of pure feminine destiny and shame. This semantic circulation and variation, let us both see China and the West culture merging and pushing aside mutually, and saw the process that feminism thought has carried on dissemination with the aid of the Western classical text strength in present age.Sixth, on the designs in the character, and constituted intense class relations of intertexuality. These two works are two stage products that Zhang Jie cognized the Chinese society. In this cognition process, who represent the social conscience is throughout the feminine intellectual (Ye ZhiQiu, WuWei), but the identical kinds of character (old cadre) are received eulogy and condemnation separately in two texts. It is because that the above two texts belong to two series of talk language systems, and they have respective standard of value, the two cannot be mutually compatible.