Chinese Confucianism And Modern Graphic Design Research

Graphic design lives in its peculiar culture, at the same time, the masterpieces of different times only belongs to the times when they were born, of course art is marked with different times. It was said by Marxism that art is a kind of social ideology, it is that human being uses sensible species means to grasp a way of the world, also it is a unification showing, the state being appreciation of the beauty consciousness being human being social life reproduction and art minds and sentiments melt. Graphic design is widely used in many fields of society, such as companies, organizations, activities, and conferences. Many of modern designs are based on the Confucian school, and highly require the culture spirits.This thesis discussed the combination between the Confucian school and modern graphic designs, and explored the development of them. Under the global conditions, thinking of the culture design and national characteristic is interesting and valuable.This thesis defined the category of the Confucian school firstly, and then described the development process. According to the analysis of their reference and exertion on modern graphic designs, the figure and signification were represented. The third part explored the aesthetic feeling and valuation from formation, visualization and signification. Based on the investigation of society, culture and consumption, it was concluded that the inheriting of the Confucian school should undergo the modern transition of format and in-depth extension of national spirit on a higher aesthetic level.