European Early Renaissance Art And Chinese Contemporary Painting

My research is "early European Renaissance art and contemporary Chinese oil painting research." Subject itself involves three issues, first on the European Renaissance'in the early history of human culture that was repeated to explore the cultural and artistic peak period for the comprehensive and in-depth The study, and the other is interested in China's contemporary reality of life and cultural phenomenon, artistic status quo, and the third is the two great span of time and space on the relationship between. Papers hope that the answer to the question is: Contemporary Chinese Culture and Arts What is the status quo, in the context of this reality, research the history of culture and art of what is the meaning of reality.Papers are divided into three parts. The first part of contemporary Chinese arts and cultural status of the problem, pointing out that - creation of a single theme, artistic spirit of nothingness, the average standard of art is facing the plight of contemporary art, the art is generally superficial, which targeted early on Renaissance purpose of the study is to know why the arts have depth at that time, what it has depth. The second part, combing the results of research on the past, with the purpose of the Renaissance found to do - on the independence of the Renaissance painting, modeling themselves with the vocabulary and cultural accumulation and early religious paintings and the humanities, from the three In-depth analysis of what it is. Part III is divided into some conclusionMain conclusions are: classical and classical reason for the Millennium and Beyond fresh, precisely because he embodied the creativity, cohesion of the historical and cultural heritage. If contemporary painting to avoid the superficial, shallow, it must return to the vulgarization of the culture in the foundation of a return to the art form and source of the evolution of the re-discovery.