"Urban Situation Dialogue Tajik Living Image" Graduation Creation-reflections On Xinjiang Contemporary Oil Painting

Since2012, held "Xinjiang oil painting national line" and"the first XinjiangBiennale art feast", Xinjiang art flourishedin recent years. In the economicglobalization and the mass consumer culture in the social context, Chinapaintingsshowing a diversified development trend, Xinjiang contemporary oilpaintings are also faced with the historical opportunity. The report tries to art fromthe sociological perspective, explore Xinjiang contemporary oil painting and thenational minority theme oil painting in thecontemporary, has important social valueand artistic value.As a living culture carrier, pay attention to the development processof city and city youth circumstances, concerns about Xinjiang’s Tajik culture andTajik nation in the current state of survival, and were compared with series ofcreative research, is undoubtedly the exploration and practice of Xinjiangcontemporary oil painting and the national minority theme oil painting contemporarypossible. Study on culture and the arts the Tajik is a comprehensive subjectincludingsociology, ethics, morality and religion, and different cultural perspectivesof attention to the cultural and artisticproposition is different. My own spiritualexperience as a clue, will themselves to city life circumstances and Tajiknationalsurvival experience as the subject, the image contrast and Exhibition dialogue toexpress their way ofthinking and questioning life state between different regions. Aseveryone knows, in twentieth Century since the90’s, the avant-garde art Chinesestart the transformationfrom modernism form into a contemporary. Modern art isconcerned about the aesthetic problems: language, form,material, personal style; andcontemporary art aboutculture, it emphasizes the relationship between art andcontemporary culture, emphasizes the position of art andcultural criticism in view ofthe realistic society problem consciousness, contemporary oil painting art creation isalso the concept of first, pay attention to the work the concept of social problems andtreat the art attitude.Chinese contemporary oil painting development after theso-called oil nationalization, localization, localization trend of creation, the creationis more creative body painting isChinese steering oil painting "Chinese features"--Performance Chinese painting and freehand brushwork in traditional Chinesepainting study. The report is based on this background, want to through the creationand exhibition way to break the minority subject oil painting"genre painting""native" single mode of creation, creation.Contemporary exploration possible, and tofurther explore and extend its artistic value. Explanation of the report is notto Xinjiang contemporary oil painting creation of empty,boring, jerky theory, not onlyfrom the single angle paintingcreator list creation rules and methods; but thestartingfrom the angle of sociology, which has the features of thought and culture incontemporary art angle of view, and to his whole creation practice in detaildemonstration, fullythree-dimensional show his thoughts for Xinjiangcontemporaryoil painting.