Berlioz And Liszt, Title Music, The Concept Of Research And Thinking

Programme music is one consistent type of western history of music, the western music tradition is embodied in this type of music, however, the development of Programme music also bring more valuable discussing questions about music history and aesthetics. This discourse commit itself to a definition and review about Programme music, on this base, to discuss the Programme music composing feature and concept about Berlioz and Liszt who is Programme music composing master of romanticism.To be a Romanticism music of 19th century , Berlioz and Liszt also make a outstanding contribution in Programme music composing ,but the concept of two of them are not same. Their composing representate two different developing way each other. Under hackling their Programme music work and concluding their feature, taking their work for example, analyzing music noumenon could see about their composing concept in the work, expatiate how their concept transform the music . For comparing their concept sameness and difference could make reader have a impersonal cognition for this two different Programme music, then thinking about what is the function of Programme in the music composing and enjoying, arousing a anew cognition for characteristic and value of Programme music.First ,this discourse look back of the Programme music development history, then aim for colligation existing point of view and giving a strict definition. Second, enumerate and analyze Berlioz and Liszt's composing feature each other, and take the their representational work Symphonie Fantastique﹑Tasso for analyzing, integrate the music form, mostly saw about their concept's embodyment in the music. Third, comparing with two of them .This discourse exert integrally the way of history aesthetics﹑ comparing﹑ music sociology﹑ work analyzing﹑ case studying﹑panorama study etc, analyse causation of their concept different from aspects of culture﹑era﹑circumstance﹑personal experience. Last, appraising their Programme music composing and uniting the relation of music and literature, thinking about representative signification. For conclusion: literal facts sink into the music composing is one develop feasibility current of music.