Interpretation Of "blank" - Potential Areas In The Chinese Classical Aesthetics

"Blank" is a Western literary theory concept, but it has also caused an early attention to the ancient Chinese, they have a high degree of certainty "blank" aesthetic value and meaning. Throughout the whole course of China's classical aesthetics, deep planting rooted in classical philosophy of the "blank" has risen to an important aesthetic areas of significance, because no formal, we call it potential areas."Blank" are playing a very important position in the areas of submarine-classical aesthetic China, it is an integral part of the arts, it is the most unique in our aesthetics, It is rooted in Chinese philosophy, classical aesthetics in China has a special performance, it is extremely rich in content, In fact, Xu, Kong ,Wu, etc. are the unspoken dominant manifestations. From the horizontal, it has a profound impact from the longitudinal view in our country in almost all fields, it runs through the whole of Chinese classical aesthetics course. It not only is a realm of aesthetic pursuit, but also the pursuit of a realm of life.A rough look at the history of the development phases: the pre-Qin and Han Dynasties, whether on the Pre-Qin Dynasty philosophy, strength, such as yin and yang of debate, the purpose of art rarely directed at, but inevitably affect the future generations and the establishment of ideology and aesthetic characteristics about China's "blank ". the time of the middle of the Wei, Jin and Southern and Northern Dynasties is the medium-term, the impact of the Metaphysics," blank "potential areas is gradually from the field of philosophy and the arts to life in all areas of infiltration, "blank" potential areas has been incorporated into the social consciousness and cultural aesthetic vision, which directly affects the time of calligraphy, music, painting and the creative theoretical summary; the Sui and Tang Dynasties period also accompanied by a more mature mood of the preliminary consolidated results. After the middle Tang to the Ming and Qing Dynasties is late, "Blank" potential areas to unprecedented prosperity, and the arts than any other category of landscape painting in the Song and Yuan Dynasties period reached its peak, to the Ming and Qing Dynasties "blank" potential areas further deepened, mainly for its performance in many sectors of the arts have been in extensive use, particularly in the theatre and garden construction. It should be said that, in the whole development process, the "blank" potential areas has been submerged in a virtual state of mind in the spirit of nature, the spirit of freedom and the gap between the aesthetic of a bridge. It does not pursue external rhetoric, but a deep and life in the universe fit.With the progress of the times, people on aesthetic features of the "blank" potential areas have a more profound and comprehensive understanding , it is the pursuit of artistic creation, which created the main spiritual emptiness is an indispensable prerequisite, but also the important content of the accept. it can not only arouse the main positive aesthetic appreciation, but also evoked the main aesthetic re-creation. In addition, it has also been the aesthetic characteristics of the constant rich, it is very rewarding and thought-provoking philosophy, it has been the favorite natural, and it has always been accompanied by strong feelings, and so on.