From The Three-dimensional To The Abstract - On Painting The Natural Form Of Abandon

Painting as the visual arts, with image transmission and recording functions. Before the invention of photography, painting has been relying on nature to act as a natural means of records, so when the audience face painting, the heart will not consciously compare and natural spirits, and will have a "may" and " like" said. When painting to the development of the late 19th century, led to Cezanne triggered by the natural world, like the revolution, the ultimate development of completely divorced from the natural appearance of abstract images. The author of this process as before, and contrary to the traditional natural depict the abandoning of the natural process, this paper to analyze the Cezanne of the natural body to explore the nature of the beginning of their physical structure in the color structure, physical space explore exposition, and then in the second chapter of the three-dimensional nature of the decomposition of painting and remodeling changes in the form of the exposition, the main representative of the Cubist painter Picasso paintings and Bolake performance for different periods different features in-depth grasp to demonstrate their release some of the natural form of lost and did not dare to completely abandon this form of painting awareness. Chapter III and IV that the main thing is to completely abandon the natural body further into the spirit of abstract painting thinking of the exposition, respectively, on the Drau, Kandinsky, and other abstract painters Mengdelian painting thinking were analyzed and discussed. Finally come to this the natural process of change while abandoning the traditional imitate natural and completely contrary to the concept, but they just wonders of the universe at different levels of expression, in a certain sense is true of the objective world of show.