Phase Such As Wenjun Story In The Yuan Dynasty To Accept The Characteristics And Causes

The love story of Sima Xiangru and Zhuo Wenjun is a beautiful and famous legend which spreads abroad for a long time in the history of Chinese Literature. People in different Dynasties pay varying degrees attention to this story. On the one hand, this story brings a lot of allusions in the lyric literature such as Ci and poetry. On the other hand, the story makes a far-reaching impact on narrative works of love theme.It is worth to notice that there are many female images which praise and follow Zhuo Wenjun in the Yuan Dynasty opera. Their unrestrained and bold attitude towards love not only reflects the female's request about freedom and independent in the context of the liberal times, but also the results of hidden factors such as the national psychology and the creative psychology interact each other. It has certain academic value of researching the Yuan Dynasty opera from the story of Xiangru and Wenjun.This article is combing the flow situation of the Xiangru-Wenjun story in the Dynasties before the Yuan Dynasty, making further analysis on the acceptance characteristics of the Xiangru-Wenjun story in the Yuan Dynasty opera and the reasons behind.The main thesis is divided into five chapters.The first chapter analyzes the Xiangru-Wenjun story's evolution and its impact of the literary history. As a famous story, the Xiangru-wenjun story is not stereotype from the beginning. It is first appears in the Sima Qian's "Historical Records". This story's plot has been perfect and details have been expanded in the ensuing times. The narrative model has had great impact of future generations of its creation when the Xiangru-Wenjun story finalizes the design. From the perspective of the prototype, the exemplary narrative structure on the model of works is more clearly. Because this story has rich content, so it can be occupied in the literary history of a place and have an impact on future generations' literature creation.The second chapter is mainly about the carding of Xiangru-Wenjun story's acceptance in the Han, Tang and Song dynasties' literature of the poetry or Ci. Han Dynasty at the close of restraint was not enough and poetry was still not perfect enough. That is why Xiangru-Wenjun story has not been much concern and little moral criticism. Tang broad vision of the times makes many literati have complex of Sima Xiangru, which upgrade Xiangru-Wenjun story's attention. There is a certain relationship between the image of Zhuo Wenjun has become Sad and the Tang Dynasty style of the times. The moral Incrimination is more obvious in the poems in the Song Dynasty, which because of the prevalence of the Song Confucianism. Xiangru-Wenjun story resumed its free outlook in the Song Ci in which Feudal Moral's control is not tight enough.The third chapter focuses on the acceptance characteristics of Xiangru-Wenjun story in the Yuan Dynasty opera. A lot of image of the woman, who public follow the eloped example of "Zhuo Wenjun", appeared in Yuan Dynasty drama of love. They have boldly warm personality, to pay for their own lover and do not regret it all. They chose the eloped and never have the moral sense of self-Incrimination, never afraid of pressure and rumors. At the same time, Sima Xiangru was also seen as a synonym for poor literati in the drama. In the Yuan Dynasty, "Xiangru "and "Wenjun," two words are often emerge at the same time, which fully demonstrated the Yuan people accept this story at a high degree. The image of Xiangru and Wenjun are affirmed and recognized in the Yuan Dynasty.The last chapter is the most important one in this article. It analyzes the underlying reason for the publicity women images in the Yuan Dynasty opera from three aspects: The characteristics of the times, Opera itself and the national psychology. The Yuan Dynasty is a times which grassland culture and agriculture culture come into collision and fusion. Mongolia Marriage makes the impact of Confucian ethics and morality of forced relaxation. The declining status of scholars makes their outlook on life and values changes. Such as Drama of the Popular Literature disseminated widely which made the moral values of the original relaxation. Opera's own people, entertainment and so on have a certain impact on it. Finally, the narrative model of "poor scholar rich daughter" is actually a continuation of the story mode as Xiangru-Wenjun story. Both the "Feng Qiu huang" of which men to take the initiative to attack and "Huang Qiu Feng" which women seeking men are the product which by Male's perspective in fact. They all meet writers' compensation for psychological in the creative process.