On Shuanglin Color Sculptures In China Animation Applied Research,

Today, China's animation is still in the exploration and development stage, the face of globalization of the information age, external advice and the erosion of culture, so that the development of China's animation industry to varying degrees, also have been affected and assimilation. Although we have learned a lot from them, but also some worrisome phenomenon, and that is originality poor, the problem of the lack of national characteristics. In this paper, the face of this issue will be based in Temple, Shanxi colorful and artistic value of animation in China today faces the status quo, the use of wisdom, the spirit of avoiding "the cart before the horse, Shou-table lost in" the principle of respect for traditional art forms, to the idea of the dialectic as a guide, to discover innovation and artistic re-creation opportunities. The use of art, aesthetics Dynasty literature, fine arts, archeology, animation theory interdisciplinary approach combining research, that is, the artistic value of this highly traditional and national representation of art to conduct in-depth exploration of the creative with the animation the way to comprehensive analysis and research. This animation made in China can be colorful in the Temple, Shanxi to extract the essence of learning through in-depth and innovation of its artistic features can be inspiration for the role of animation in order to extract the parts, so as to achieve in order to learn from this traditional colorful Temple, Shanxi art forms, with Chinese characteristics to create a flavor of the times but also has the animation works. And animation can be applied to the factors, with animation the way of artistic expression for the transformation and summarize summarized. Analysis of two of China's animation inspiration, not only for China's animation provides a theoretical basis, but also for China to open up a new animation creative ideas and can learn from the factors.