Hot Gong Tangka Art

This article is one regarding the Qinghai Regong area Tang card drawing art memoir. The main text altogether divides into four chapters.In the introduction, author studies in view of current domestic and foreign Tang Ka, takes its sociology and the anthropology significance, actually the unusual concrete technique research and the introduction present situation, proposed he about the Regong Tang Ka drawing technique research's reason, and introduced once two times went in person the Regong field study the process and the method.The first chapter has summarized the Tang Ka origin. Early time Tang Ka, followed the 7th century Songzanganbu time Buddhism to spread to the Tibetan national minority area to emerge, but its work many have not been possible to test. Afterward unifies the Regong area the historical evolution, take Tibetan Buddhism's drifting as the latitude parallel, reviewed the Regong Tang Ka origin and the development, and greatly slightly divides into it the initial period, to form the period of expansion, the mature prosperous time and the decline revival time four stages. Rests on the existing material, its mature prosperous time worked as form the 17th century to the late-19th century, because the Qing government regarding Tibetan Buddhism's prop and the protection, the Regong Tang Ka work many, the quality high, audiences of the famous teacher was unprecedented, the work even writing technique was fine, the color was gorgeous, person or household who refuses to move and bargains for unreasonably high compensation when the land is requisitioned for a construction project intense, fine exceptionally. But after entering the new time, Regong Tang Ka art also entered its revival time, although still had many insufficiencies, but the overall presented an encouraging scene.The second chapter introduced the Tang Ka type and the content and the theme. Tang Ka has many kinds of taxonomic approaches, this article manufactures the way to divide into it the drawing and the non-drawing two broad headings. Drawing class Tang Ka including mural Tang Ka, reel Tang Ka and rubbing Tang Ka and so on; The non-drawing class Tang Ka including piles embroiders Tang Ka, to weave embroiders Tang Ka and so on. Because embroidery Tang Ka, brocade Tang Ka and cut silk brocade Tang Ka does not see in the Regong Tang Ka plan history, although therefore in the article belongs to it weaves embroiders under the kind, but has not launched the discussion. The Regong Tang Ka subject material greatly slightly may divide into religious, the myth fable and the common custom three broad headings. The religion may divide into the Tibetan national minority early time Bon and the nature worship two kinds, The myth fable may divide into the historical fable and the fairy story two kinds, the common custom theme has the life custom, the astronomy calendar, the landscape scenery, the Tibetan doctor pharmacy and so on. Because the material limits, in the article discusses in brief different.The third chapter is this article key point. Introduced and has studied the material which and its commonly used technique the Regong Tang Ka manufacture used. Because in decided that the Tang Ka art quality in each kind of factor, its plan material has the pivotal function, therefore this chapter first has carried on the introduction to it (for example canvas's manufacture, pigment and so on). In introduced when Tang Ka does painting the step, unifies the author to draw up the Tang Ka practice, divides into turn it makes a rough draft, fills in the color, to cancel the line, the careful portray with to trace a design in gold and so on several stages to carry on states specification , and from the artistic style and the technique aspect, has carried on it with the Chinese tradition exquisite brush serious wound the comparison, points out its possible relation. Involves the question performs in the concrete work's research to elaborate. Afterward, transited the discipling from the relations to Regong Tang Ka mounting as well as the Regong artist to make the simple introduction.The fourth chapter summarized the Regong Tang Ka several kind of typical style characteristic, introduced forms this characteristic the artistic origin, has pointed out it and Indian, Nepalese and the area south of Yellow River Chinese art relation. Hereafter, "four big painters" has made the synopsis to the Regong area, and narrated with emphasis the summer I only then let artistic path, artistic achievement and influence.