Parody, Literary Images,

The parody literature has been in existence in the history of world literature. It was popular once more at the 20th century with color of postmodernism. In ancient China there existed these traditions on writing "Continuation" or" Supplement" and imitation works for books, but they lacked the taste of joking. Till latter-day LuXun consciously began to use parody technique for creation. Since the 1980s China has been active in parody literature, and the parody literature has become a common cultural phenomenon out of the literature of the world.The paper mainly studies pictorialization subversive strategies of parody literature and dialyzes the kernel of literary and cultural phenomena of using joking and simulation rhetorical devices after the 1990s in China.The paper is divided into two chapters. In the first chapter narrative phenomenon of parody literature who is described by picture and text is analyzed. The evolution process of pictorialization of parody literature is sorted out.The intention of parody literary pursuit of pictorialization is becoming more obvious. Through the analysis of pictorialization memory of source text to the receiver, the inner motivation of pictorialization narrative of parody literature is revealed. Through the analysis of graphic and textuary narrative of parody text, the specific performance of pictorialization narrative of parody literature is indicated.In chapter 2 the subversion purpose of pictorialization narrative of parody literature is illustrated. The prosperity of parody literature has a deep cultural context who gives it a sense of mission. The parody literature has many missions. Breaking "classic" illusion and using "myth" to express reality and strong sense of reality are discussed emphatically there in many missions. Finally the paper discusses that the ascension of the receiver's subjectivity which is created by the pictorialization narrative has brought a far-reaching influence on literature acceptance.