Research On Chinese Contemporary Avant-garde Fiction Parody Phenomenon

In the late1980s Chinese avant-garde novel is a special literary phenomenon, it is aliterary phenomenon that has been deep impacted by western literary theory and literary.In the phenomenon of the creation,the writer had a conscious to adopted Westernmodernist artistic techniques, parody is typical. Parody is a theoretical categoryoriginated in the West, also translated as parody. The question of meaning is subversive,banter and ironic imitation, the theoretical elements are: denial and imitation. This studyis a parody of research and contemporary avant-garde fiction. Research perspective toavoid the previous research focus that is no longer a pure research pioneer novelnarrative or the Pioneer Novels language, but to study in the Chinese contemporaryavant-garde fiction parody phenomenon in the cultural integrity of the system, its thebackground factors, to promote its maintain permanent charismatic aestheticcharacteristics, as well as lead to hardship reasons and the significance of the varioussubsystems of the cultural system as a whole study, and strive from a whole newperspective on contemporary Chinese Pioneer fiction parody to study the phenomenon.The article includes a total of five parts. The first part of its introduction, includingthe elaboration of Research and significance, but also contains a brief overview of thetheory of parody made. First, the theory of parody diachronic investigation, parodyconcept of different eras in the historic process of inspection emotional simple judgment;embryology definition of parody, Ai Brahms’ four elements of the literary point of viewfor the entrance, the parody from the writer, the work, the reader, the point of view of theworld is defined. The second part of the article to the point, parody and Chinesecontemporary avant-garde fiction, from Pioneer fiction drama imitation occurred in thecontext began to study. Chinese contemporary avant-garde fiction in Western culture biginflux of China’s political, economic and cultural diversity of discourse environment,showing a different style with the previous literature. The third part, which it is the mostcentral part of the article, and aesthetic characteristics of Chinese contemporaryavant-garde fiction parody phenomenon. It is from two perspectives: First, the nature ofimitation the Pioneer fiction drama to explore the essentially Subversion andDeconstruction; second is to explore the specific characteristics of the avant-fiction parody, of Ugliness and anti-discourse two specific characterization. The fourth part isthe research toward a hardship reasons for this literary phenomenon. Gradually towardthe end of the contemporary avant-garde fiction parody after a brief period ofdevelopment. The specific reasons for the following three aspects: First, the developmentof literary theory lead to hardship final decline of the specific practice of literary creation;pioneer writer and pioneer in the creation of their own existence; Pioneer parodyacceptance into trouble. The fifth part it is a study conducted by the significance ofChinese contemporary avant-garde fiction parody. This part is mainly explained hissignificance in the history of literature. The one hand, the literature order, on the otherhand for later literary genre.