Analysis Of The 18th Century, South Korea North Korea Late Real Landscape

Art for the 18th century,late Joseon Korea,when a large development was achieved.During this period the influence of China,the expressed ideal landscape, unlike the early Joseon Dynasty,Korea's actual views on the creation of a new discourse to express the 'true view' of the emergence.Unfair in that time,the traditional social and economic conditions and promote the reform of political system,such as unreasonable,as the reality of the research study took a practical attitude to the King Yeongjo(1776-1800),Jeongjo(1776-1800),Sunjo(1800-1834)was clearly formed in time.These practical studies the emergence of the political,social and economic aspects,as well as a very important significance in the culture of Korea opted,self discovery,and easily accessible from living close to select the material that formed the Korean Art point is significant.In this paper,and Korea's famous for the beautiful scenery around the area to express views directly observe the true masters of landscape 'Zhengshan' actual views of the landscape in the late Joseon research covers a similar period in Qing Dynasty China 'Mountain Huang' was the main material for the representation of 'Hongren' and 'Meiqing' comparison of the two was a painter.In chapter 1,the end of the Ming Dynasty and Qing Dynasty 17-18 century,late Joseon era of the early background,social situation,to examine how it affects the landscape in the production of narrative doeeotneungareul.Chapter 2,'true view' interpretation of the meaning of landscape and scenery of the real story of the formation process was specifically identified.Chapter 3 of the true story about the landscape that was described for specific examples.Payoff of the first true landscape Zhengshan the 'Mountain JinGang' see the picture album and look left,made the sketch work.In addition,writers,and nobles were the landscapes' Jiangshihuang 'and left a sketch of a trip to the Songdu city saying,' Zhengsuirong 'Linjin River close to the Han River from the picture album and looked at the expression of the landscape.Chapter 4,the early Qing Dynasty,China was upset with the description of Figure Mt.Yellow of Hongren also left many Meiqing for Mt.Yellow looked at the picture.Chapter 5,look at chapters 3 and 4 above,the actual view of landscapes and the late Qing Dynasty to the early brush of the artist specifically Mt.Yellow was a comparative study.Common elements of the two countries as a painter,first brush the brush of the two painters of the Song and Yuan dynasty literary impact was mentioned.They influenced by Song Dynasty 'Mifu',Yuan Dynasty 'Nizan',but based on the unique paintings of your own to find common sense,the world is made. Also unique to the specific location of the picture concentrated expression of the law has a tendency to appear in common from the two countries could see the artist.In this way,the two countries made a painter of landscapes,based on creating a new brush to draw a comparative study to express anger to try to the best of today's painters.