| The late Ming Dynasty and the early years of the Qing dynasty are the period of intense replacement in the Chinese history in which the ethnic conflict and the fissile in culture is very fierce. "Si seng" who has an important role in History of Chinese Art appear in this period. "Si seng" was respected in painting at that time with their unique art of painting,Jian jiang who is the oldest of them ,his landscape become to a wonderful work in the history of Chinese landscape painting with his tranquil artistic characteristics. His pursuit the realm of the "Land of the high-flow,chest without dust" were fully reflectsed in his landscape.Confucianism was Jian jiang's main idea before he converted to Buddhism, ,but with resume work was hopeless, Taoism germinated in his thinking.He converted to Buddhism in his 38-year-old and beban to live with studying Zen and painting.He truly entered the realm of Zen with the increasing length of time and deeper understanding of Buddhism.The line in his landscape was not restlessness and the ink was not flying too. His ink which revealed his inner spiritual realm of the solitary clean was clean without floating.So his landscape reflected a quiet realm.Jian jiang's landscape paintingsy reflected the realm of empty and quiet which relies his closely contact with nature. He has traveled every corner of Huangshan in using decades of years.The odd vertical composition of his landscape works is the highly origin of Huangshan: profound beauty,which is the intrinsic quality of Huangshan. The deep silence of Huangshan and the soul of Jianjiang reached the deepest tacit understanding, so his landscape about Huangshan have its features: crisp composition, deep location, profound artisticrealm.While The formation of a Painter's painting style is not separated from studing tradition and nature,but it isn't the determinant. The ultimate form of personal style relys on the painter's character and ethos.Jianjiang is the first artist who perform Huangshan's highlight and quiet beauty wonderfully. At the same time he is the artist who show the new figures of aesthetic realm.His paintings show a solemn realm of the noble. He did not take the painting as a safe haven ,but consciously beyond the narrow perspective of the individual situation,and consciously attention to the intent of Chinese painting .His contribution lies not only in the inheritance and development of traditional Chinese landscape painting of,at the same time his poetry and art opinion as well as open up the broad space of the development of Chinese painting.Based on the researching of Jing Jiang's landscape characteristics of quiet, Extended its practical significance of the Chinese painting development .This is definitely played a role in the contemporary Chinese paintings to enhance the quality of the Creation, but also a certain degree of inspiration. |
PDF Full Text Request