Try To Talk About Jianjiang Images Of The Ethereal Beauty

In late Ming dynasty is the Chinese history society s fluctuation is fierce, the period of national contradictions and cultural thoughts become very fierce, "four monk" at the beginning of the qing dynasty in the history of Chinese fine arts activities in this period, they is famous for its unique art in the painting. Among them, jianjiang xinan painting as a leader, and in the spirit of the pure and fresh and free from vulgarity temperament show in front of everyone, have opened up the Chinese landscape painting a new artistic realm, affecting the future generations of Chinese landscape painting.Jian Jiang before becoming a monk has dominated the idea of Confucianism, but as the choosing of hopeless, the birth of Taoism on him began to sprout, this is he came through in accordance with the buddhist transition. When he was 38 years old e. according to buddhist, with its increasingly long, e. e. buddhist of understanding the deeper of Buddhism, thus truly entered the psychedelic, wrapped up in calligraphy. His landscape painting works, no line of violent agitation, nor large flying ink. He ministered clear and not float, pale and not imaginary, revealed his inner mental state of clean, cold quiet solitude, which also made him filled with images of the gas of the bleak, empty spirit, inner beauty with static. Jiang’s landscape painting embodies the emptiness, the silence, the formation of the state of nature with deep connect closely related. He step in every corner of the huangshan mountain, over the years for decades, and hearing, mental culvert perturbation, are all a hotchpotch of huangshan. Composition of the longitudinal depth in his landscape painting works embodies the hollowness of huangshan abstruse beauty, which is the intrinsic quality of huangshan. The deep silence of huangshan and jiang hearts yearning and reached the deepest tacit understanding, so he has deep emptiness, huangshan composition in secluded, artistic conception and contracted quiet.Mr Zong baihua said: "all the beauty of the source of all come from the heart, if not mind mapping, is not beautiful." So a novel on the technique of art no matter how, how clean and pure taste, how deep connotation, first must be beautiful, should have the mind of pure beauty. Painting pure sex, lies in the artist, a free, peaceful, beyond the spirit of independence, art can distinguish from the other art, one of the most basic premise is that "beauty", we can say that anything is the first, and then can be art.This article first chapter from jianjiang its spirit and temperament of the decisive role, zen thought influence on jianjiang painting style, imitating the traditional and imitating the nature, explore jianjiang landscape paintings and origin of beauty in the research, the second chapter from the graceful light from pen and ink, empty deep rhyme, simple quiet artistic conception, analyzes the jianjiang the reflection of the beauty of the landscape paintings in the painting, this ethereal beauty of his work, the third chapter explores jianjiang landscape paintings and beauty of art value and its influence and jianjiang landscape painting of emptiness and enlightenment of the beauty of the landscape painting creation.