| This thesis proposes a different way to consider the phenomenon that art museums continuously stimulate and promote novel art trends. Catching and constructing typical cases with information by bits and pieces of evidence from reviews of art exhibitions, academic interviews and books of art history, it presents how the Centre national d'art et de culture Georges Pompidou brings out the international art trend of 'Multi-Culturalism', how the Museum of Modern Art (New York) take the art school of 'Abstract-Expressionism'to the worldwide highlights and how Shanghai Art Museum realizes making Chinese Contemporary Art legal in the domestic area. After accomplishing describing these three successful cases, the mode analysis will be done focusing on the aspects of'Chance','Method' and'Avail'. The last task is to compare with two sorts of extreme phenomenon (one is getting involved passively or non-consciously in the modality of'art exhibition hall'; another is attempting to transform'art museum'into'art laboratory') and to discuss three factors ('Initiative','Ability' and'Attitude') which a museum need give attention to. In the conclusion, it will stand at the position of art museum and bring forward a new kind of museum function as a conception or envisioning:for the new art trend, museums can be'a Field where New Culture Happen'. |
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