The Image Of Women In The European Renaissance Painting

The embodiment of the feminine image has undergone a long history.Though its outside form and spirit connotation change a lot with the time, it welcomes its booming period until the Renaissance.Researching its outside form,spirit connotation, time background and rank culture difference, this thesis lays emphasis on the new viewpoint of feminine image in order to explore and master the art style and aesthetic concept of the Renaissance perfectly.This whole thesis adopts the graph picture and the historiography as the researching methods.First, this thesis combs with the feminine image of the pictures from the angle of arts history. By understanding its history situation, explaining the important role of the feminine image, embodying the ins and outs of the feminine image in different periods, it makes sure the researching direction and the significance of the project selection. Second, it analysis and explores the western classic aesthetic principle.This chapter discusses and researches the arts traits of different ages and the impacts that the time, history, culture and other factors shows to the aesthetic principle and arts style.The third chapter combs with the former two clues. Discussing the influence of the history factor, social circumstance, time spirit, aesthetic concept, religion, politics, nation and culture factors, this chapter compares and explores the feminine images underlying in the masterpiece of the Renaissance.Meanwhile, it also demonstrates the impacts on the artists and embodiment of the aesthetic principle and arts style.Every times owns its pictorial representation and they usually demonstrate the artists' thoughts and aesthetic concept. As the carrier of the aesthetic ideal, the feminine image plays a significant role in the drawing field.The conclusion of this thesis demonstrates the reflection and inspiration which the feminine image of the Renaissance brings to us and takes a glance into the future of this researching field.