An Aesthetic Analysis For Li Shaohong's TV Plays

In the early 1990s Chinese TV plays began to step into a totally popular path. For a moment the good and the bad mixed up in the domain of teleplays. So at the end of the 20^th a general appeal that TV plays must have a new style and a new promotion was very popular after a period of development. Under this background the plays directed by Li Shaohong relying on their image that surpasses all others and their specific style came within viewers' range of vision and got high in the ratings. At the same time, they evoked spirited and disputed debates of audiences and theorists in the area of teleplays.Obviously, full of poetic atmosphere, the expression from audio - visual faces indicates that poetry is a whole new attempt of Chinese TV plays' aesthetic character. At the same time through the mirror image sign, the description of feminine consciousness means that when feminine words was general lost and oppressed in contemporary movies and TV plays Li Shahong's works utter their soft but impassioned sound under the social standard which was set by man.Compared with others, Li Shaohong's plays are specific in aesthetic style. Two causes make them be a hit at once. On the one hand, interlinked tastes are both the prerequisite and the basis of receivers' reception. On the other, the resemblance of aesthetic experience often touches women audience deeply and so makes them be loyal fans.It should be indicated that the satisfaction of a person's life is not in material prosperity, not in moral or knowledge, but in the feelings about human beings' existent, the understand of what's a person's essence and pursue of lives' meaning and value. Through the deep grasp of human nature and close inquiry of life, Li Shaohong's TV plays are an effective approach to get a clairvoyance of vital dignity and glary. What's more, their fine and thick, elegant and beautiful mirror image language allures audiences, at the same time gives them much aesthetic happiness.The success of Li Shaohong indicates that poetical style teleplays will still have their living space of sustainable development in an era in which cultural development tend to be diversifying and people's aesthetic attainment and appreciative ability have a total advance.