Form And Spirit Of The Han Dynasty

This article focuses on the problem of form and spirit of Han Dynasty .The problem by digging to find the problem from the pre-Qin era of emphasis on manpower development to the subject of literature and art during the Wei and development path of the aesthetic subject. Unity and dominant culture characteristics are with the problem of the Han dynasty produced far-reaching effects. This paper attempts to discuss from the human and object of form and spirit, and characters made of form and spirit intermediation and include the relationship with artistic conception. It also wants to find the characters about the development of form. Introduction part of this article has the main purpose to write articles, significance, literatures review for relevant innovation introduced. In the literature summarizes the conclusion of modern scholars several disputed points, and background information on the Han Dynasty, and spirit in the literature of information theory, and theory development in the form and spirit, also has an abundance of material resources.The first part is about Han Dynasty background and cultural background. In the background of the Western Han, nature is the rule. From the Western Han Dynasty to the Han period, the political front, after Han Wenjing King to continue to strengthen centralization. In the period of Han Guangwu King, they were not allowed join in state affairs. The late Eastern Han Dynasty, internal and external problems have appeared. In culture, the mainstream Chinese culture and Confucianism, Taoism and complementary, the impact of Buddhism in China has not been universal. The school's development is also an important part.The second part is about the relevant discourse and performance of form and spirit in Han Dynasty. First of all, the human's form and spirit concern not only the relationship between the two areas, has expanded into morality, behavior, nature, heart, emotion, desire interrelated. Secondly, spirit shaped objects, including natural, social, and artistic works in three areas, many theorists of the natural beauty of the exposition. Literature can be represented by Han, Han music is a comprehensive transformation of the music, and painting theory, calligraphy theory of spirit has been related to physical theory and creative practice. Again, people, shape the relationship between spirit and form. From the Taoist, Heaven, gas, the communication between Heaven and man are the source of intermediation and spirit. On the other hand, from the artistic nature of the wills and Sentimentality and creative energies in the books, the sense of things such as character and spirit theory is the result of the exchange will pass. What is more, the definition of literature and the comparison between nature and characters reflect the character and spirit of the in-depth exchanges.The third part is about the improvement of form in Han Dynasty. The part of the philosophical, social, artistic three levels discussed. Philosophy, appeared to Nature of the Theory of the spirit of introspection is different from the pre-Qin demands the application of yin and yang theory, the development trend of things, grasp and understanding of the internal factors. In the social and political relationship between the emperor and county arrangements fully reflected the integrity and regularity of form, with the text of the physiognomy of the corresponding world. Health has also demonstrated the importance of the present body, in order to lengthen immortal life. The specific methods have raised the art form. literary arts, literary style of the rich development of the musical form of Han , the creation and development of fossil-like image of a simple primitive, flew trend of handwriting all are the signs of improvement of form.The fourth part is the connecting link of the Han Dynasty by meaning and spirit. Spirit shaped objects, the natural way to realize the community's beauty to explore, especially the works of art in the form of spirit on the issue of direct discourse is rich and varied. The communication of form and spirit theory will become artistic conception.