The Realization Of The New German Expressionism In Painting Sense Of Form

The years of the 19th century, New York became the new world art center, the u.s. swept the world of modern art, the artists voluntary or not voluntarily joined the United States-abstract painting led to "internationalize" the deluge, the internationalization "at the same time, its own national culture began to neglect and abandonment, evaluation of the unified standard, unified artistic pursuit under world painting by fragmentation into matures, traditional painting gradually drowning in history. As ideas and behavior become empty and shallow. The new Expressionism in time, the easel, canvas from dust brought out again, marks the return of traditional painting. And leads a new direction for the development of Arts, as German painting won the position and the right to speak. This article from the German special historical environment of the national character of the traditional, in, and the new painting language perspective, the new German expressionist painting special sense of form. In authoring concepts and techniques, German artists from diverse sources, borrowing attitude. In art, combined with modernism unique expressiveness, from Visual symbols, image features, historical experiences, political action, as well as materials and techniques, such as different aspects of each move with and integrated, open up painting in a new world of freedom. This article is divided into three parts, the first chapter by German expressionism of historical reasons and background for analysis, so that later description and analysis of the more convincing. Chapter mainly on Eric expressionist painting has a special sense of form in motivating reasons. The new German expressionist painting sense of form is different from artists, new Expressionism as its name implies, is a native of expressionism, its stroke, use of color, emotional expression, image and Expressionism has many similarities. However, in the approaches and ideas have significant differences, mainly embodied in artistic purposes and the pursuit and the subject matter. Expressionist paintings focus on exploring new forms, is designed to show the artist's own experience; and in new expressionist painting, the focus is on using concept formation, stressing the political, cultural and social criticism and art itself. German Expressionism also and at the same time period of painting in two separate things, different from Italian painters easy optimistic and rich decoration means, also, and the United States has a strong sense of historical information, but are weak tendency disagreeing with each other. German Expressionism in pursuit of their own unique ideas and expressions at the same time, hope from complex German history split out a deeper humanitarian concern and cosmopolitan feel. The third part is the construction mode, the screen by subjective emotional expression two discuss the new German expressionist painting forms are on the screen. Color, strokes, and the combination of line, that component is massive, crazed and repression, the new German expressionist artists are very good at using various colors chosen for their movement; on Oriental art of keen interest to let them on the application of the "lines" of their own; intuitive performance and from mythology and national character of the tragedy, let the new German expressionist painting showing a mysterious style. The new German expressionist painter to concept configuration opens new Visual language of exploration areas, also makes new Expressionism painting a breakthrough in oil painting of the traditional configuration mode, has unique, closer to the heart and sense of form. The new Expressionism "appears in the form of a painting, strongly struck world, quickly developed into an international art movement, into the 1980s the mainstream Western painting. Taking Yvonne Yue Fu, Barcelona Leeds, Kieffer, who represented, inherited the expressionistic this great heritage, with a totally new concept to deductive, first to break through modern art pale empty position, return to painting itself, that of development, the dying of the painting to be reborn. This wide angle the German Expressionism's unique sense of form and its causes, the purpose is to see the status quo, clear-cut, so as to benefit the on contemporary art.