From Aesthetic Transendental To Aesthetic Judgement

As more as Aesthetics is thought of the study of beauty, of art, of aesthetic activity and so on, it has become increasingly deviated from the beginning of the birth of the " dimension of emotional " (here is a man of sensibility a priori ability of emotional ability, rather than later mentioned as the object of the perceptual characteristics of the beauty). Of course, this can be regarded as the historical development or the development of Aesthetic theory inevitable. However, no matter how the development of the discipline, Aesthetics are always with the "sensitive" are inextricably linked, not only because of Aesthetic (aesthetics of the English) have their own sense of emotional meaning, and under the Aesthetic's research,as the beauty, the art, the aesthetic activities, often with a distinct subjective, emotional, so the "sense" issue has been discussed in the field of Aesthetics is an important area, and in order to explore the Aesthetics of the "emotional mystery," we should necessary to see it from the beginning of the official birth. Although the Aesthetics is the first formal of Baum Jiadeng, but to give an independent field of Aesthetics, so get with academic status of equality as the Logic, Ethics, is began in Kant's " The Critique of Judgement. " Therefore, to solve the Aesthetic of the "emotional mystery" must be understood from the beginning of Kant's aesthetic purport.The Aesthetic in Kant's critical philosophy has rich meaning and hierarchy, which has become a key to understand Kant's philosophy. This dissertation will do from two parts of Transcendental Aesthetic and the Aesthetic Judgement which respectively explained in detail, and through the Aesthetic in both commonality and differences in the re-interpretation of Kant to purport what is, and to Aesthetic beginning of this discipline in a separate description of a preliminary point.