This essay analyzes three rhythm special characteristics of Ginastera's three piano sonatas'; it is similar to finding varied and complex forms of rhythm and operation. It took a step further by combining pitch and metre through the observation of the rhythm form that produces different combination of recessive metre, as well as increase in vertical, horizontal, or itself, or the same dominant metre's combination. It also discovered varieties of rhythm combinations are through the anticipation of the summary on the three of Ginastera's piano sonatas' rhythm special characteristics and the attempt to combine development road map of the rhythm. The discovery of the manifestation of the structure integrity of the rhythm provided us in depth reference for understanding Ginastera's creative characteristics. |