| It’s not reasonable that scholars usually ascribed the confirmation of the modern-styled poetry to Shen and Song since Tang Dynasty. There are extensive records and researches of metrical verses in successive dynasties while the research of words tone is rarely mentioned. My thesis consists of three parts. Part one is the overall evolution of tone of modern-styled poetry with the aid of Wu Lv (new-styled poem and modern-styled poetry included). Part two is about the confirmation of several modern-styled poetries like Wu Jue, Qi Jue and Qi Lv, with emphasis on the sentences and passages of Liu Yan and Ze Yun poetry. Part three probes into the research of verses and words tone, which is the theoretical basis of the former two parts. And, furthermore, this thesis discusses the highly-relative Li Bai Poetry, Zhe Yao Style Poetry, Qiyanyiyungexing and Qiyanzhuanyunxinti. The details are as follow:As for the tone and meter of modern-styled poetry, Wu Lv was one of full-blown one. It originated form the "Yongming Style", which was created by Shen Yue, Xie Tiao and Wang Rong in the Yongming period in Qi Dynasty. It took over220years to go forward, then flourished in Liang, Chen, Sui and Early Tang Dynasties and was claimed to be completed by Shen Quanqi, Song Zhiwen, Du Shenyan, Li Jiao and Yang Jiong in WuHou Period of Tang Dynasty. Meanwhile, the perfection of tone and meter underwent long periods of the eliminating of irregular sentences and so it is with the case of "Shi Dui" and "Shi Nian". Among the poets Xu Ling and Wang Ji are the most eminent of their own time. Shangguan Yi’s "Shu Dui" theory aimed at the meaning of words and Chen Ziang’s restoration had been cleared of scorning, though it did impact on his composing of poetry.It was a continual perfection of the development and confirmation of Wu Jue, Qi Jue, Qi Lv. Due to the imbalance the development of meter and tone went forward until in the period of Tangdaizong Dali. Quatrains(including Wu Jue and Qi Jue) system consists of modern-styled quatrain system, Lv Jue system, Gu Jue system and Ao Jue system. Among which Lv Jue became the mainstream. Qi Lv of Cui Hao, Li Bai and Du Fu were virtually belong to ancient meter which owed to the incomplete renewal. The confirmation of Qi Lv, was remote from Qiyanzhuanyun xinti, attributed to the Qiyanyiyunxinti. Liu Yan modern-styled poetry were divided into six categories. Besides Ping Yun modern-styled poetry, the range of the Wu Yan and Qi Yan consisted of "Ze Ze Ping Ze Ping","Ping Ze Ping Ze Ping" and "Ze Ping Ze Ze Ping". In addition, there are certain preconditions when applying "Ze Ze Ping Ping Ping" and "(?) Ze Pn Ze Ze" in Ping Yun modern-styled poetry, while Ze Yun style is not restricted.There are mainly21types of sentences in Wu Yan and Qi Yan Ping Yun modern-styled poetry, among which "Ping Ping Ze Ping Ze" prevails, next to it is another5types of "San Bu Lun". Sentences like "Ze Ping Ze Ping Ze","Ze Ping Ze Ze Ze" account for small proportion. The application of "Ze Ze Ping Ping Ping"(three Pings) faded away gradually."Ze Ze Ping Ze Ping","Ze Ze Pn Ze Ze" are not belong to irregular sentences. While "Ze Ping Ze Ze Ping"(Gu Ping) should be considered as irregular sentence. The theory of "Ao Ti" prevailed since Fanghui in Yuan Dynasty, and faded in Qing Dynasty. There are two statements of "Ao", one is so-called "uncommon regular sentence", the other is "irregular sentence", which are completely the contrary. Systematical research of tone began with Wang Li’s work of<The discrimination of Tone>(<Chinese Poetry Theory>). My thesis revises some errors of<Chinese Poetry Theory>, besides, I also analyzes the tone of15characters, like "a" and "lao". |
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