Color Xing Guan

Based on the concept of "Confucius of hatred" as the breakthrough point and foothold, based on Confucius' thought of Confucian aesthetics represented the study of the Confucian tradition of China from the Angle of art aesthetics theory explains the connotation of the Chinese ChongCaiHua ChongCaiHua and modern view of Confucius' theory of the blame such artistic thought to inherit and carry forward."The concept of hatred" Confucius is about the artistic characteristics of poetry, songs to celebrate and talk through customs, and knowledge. Confucius's aesthetic hand very attention to cultivate the aesthetic psychology, on the other hand, pay great attention to promote the harmonious aesthetic crowd social effect. Actually contains all art is of the function of art aesthetics is analyzed, the characteristics of the theoretical generalization. Therefore, Confucius and this can also reflected in Chinese painting. Chinese painting as part of the traditional Chinese culture, and also by Confucius "benevolence", "the ritual" as the core theory, the influence of Chinese painting in the color as the medium, as a kind of unique language form, with other material irreplaceable spiritual expression. As the earliest Chinese ChongCaiHua originated, mature, the earliest picture in the formation, development and mature, change the long, formed a set of Chinese traditional painting pattern is different from western painting and difference of aesthetic view, aesthetic orientation and expression of art.The Chinese ChongCaiHua as the main part of the traditional Chinese painarly to Confucius' theory of "xing" and the concept of hatred "benevolence", "thting, the main form of its connotation and analysis, can understand more clee ritual" is the core of humanistic aesthetics in China painting color of inheritance and evolution.