Ink Portrait Schema Language Evolution, In The Modern Cultural Context

In China under the concept of classical philosophy and aesthetic tradition of Figure Painting Since the formation of complete and appropriate painting schema language system in accordance with the development of self-discipline to continue. Beginning in the early twentieth century social change and the involvement of Western culture under the influence of such factors, Chinese Figure Painting schema language patterns when compared with traditional painting a significant change in the visual gives a traditional ink painting The visual sense is not new; the same time, because of its unique use of ink, resulting in a quite different from modern Western art with Chinese characteristics in the form of ink figure painting.In this paper, ink figure painting Schema evolution of language the main line, to facilitate the ink portraits of Schema Evolution of language forms of cultural psychology and external factors combined point, discusses the ancient ink figure painting kind of spiritual power within and outside the changing with the integration of practical significance to produce a new style, will receive a new vitality.Article is divided into four chapters, the first chapter of traditional Chinese ink figure painting by self-discipline to keep the cause of the development of an analysis of traditional Chinese ink painting portraits to sort out schematic form, including the classical philosophy of aesthetics, culture, psychological and social habits of the thinking of painting the main body, and the traditional pen and ink drawing by the use of substances, including the media on the Chinese Figure Painting schematic form the role of germinal and changes.The second chapter describes the historical perspective of the development of modern multi-cultural context of Figure Painting traditional schema language of the modern transformation. First, a new era in the first quarter of the topic in the context of changes in ink figure painting, using traditional pen and ink form that can no longer fun at the performance of contemporary life, the traditional concepts and techniques have not fully expressed, the creation of new map-based ink figure painter their life experience; second section focuses on the origins reflect realistic ink figure of Chinese brush painting techniques, especially changes in the deconstruction of ink has been integrated; sectionⅢ,Article special attention to the times of change in people with mental changes in the decisive role, thus extended the development of contemporary ink painting portraits Schema language as the main mode of thinking by the change of evolution.The third chapter analyzes the impact of Chinese ink figure painting schema language conversion factors of modernity. The context of modern culture, art expressionism in the West under the influence of absorption promoting traditional "Mind" performance nutrition and ink implication, based on the state of contemporary living environment and create a characteristic of the time ink schema language modern and contemporary ink painter their ultimate goal.ChapterⅣof the City Cultural Context of ink care, new media, visual culture clash and fusion ink figure painting under the form of schema languages. Contemporary ink painting art to a new world, the title aims to evolution from traditional to modern, form words from the play with words to arouse the evolution of style and art forms, aesthetic taste of the modern pursuit of more explicit.Conclusion:Chinese ink figure painting in the exploration of schema language is positive; in the same time focus on form should tap the potential of words and their combination with the current spirit, to promote the development of ink painting.