| Beginning of the 20th century, the Chinese feudal society gradually impasse, the growth of capitalist elements to promote the business boom and the popular literature and art developed, directly or indirectly to the Chinese painting portraits impact.Figure has now entered a new and replacement full of exploration and hard times, in only 100 years, China has experienced unprecedented figure thorough reform, from the creators of the input size, quantity and quality of the work terms, are unprecedented.After the founding of new China in particular, China in political, economic, ideological, cultural and artistic aspects have carried Liao great Debian Ge, China Hua Wu Lun is a meticulous portrait portraits Haishi freehand portraits are ever De unprecedented display of Liao Fan Rong.Social change so that the spirit of the artist, a new look, transforming painting movement directly contributed to the rise and prosperity of the new Chinese figure painting; model-based art in the Soviet Union under the influence of artists began to explore a new combination of Chinese and Western; different times hasdifferent aesthetics and aesthetic concepts, the artist's aesthetic concepts and aesthetic characteristics of thought and by the time constraints, the new China was founded, literary arts policy advocacy for the public service, the people's aesthetic sense and the aesthetic has changed dramatically, this requires artists to create characters really reflect the times, good and beautiful state, full of life works.Late Qing and Republican China's history of figure painting special stage, the paper hopes to figure painting in China during this period as the reference state of development, mainly through surveys, literature study, lessons learned and qualitative analysis method and so on, through the newl7 years after the founding of the rapid rise of Chinese figure painting of the phenomenon, objective analysis of the founding of New China causes of the rise of Chinese Figure Painting, which gives some of the benefit the development of contemporary Chinese figure painting experience.(A) The characteristic of the times of Chinese figure painting.Art as ideology is an integral part of the superstructure, is for servicing the economic, which reflects the will of the ruling class,. lthough it can also lead to a historical stage in the economic base of the first step, but it can not be completely out of the time exists by itself.(B) The national characteristics of Chinese painting portraits.The national characteristics is the reason why Chinese painting figure can be the essence of the core.If there were no national characteristics of Chinese painting portraits, there is no its survival.This national spirit resides in its form but also intrinsic to promote the continuous development of form.So figure in modern Chinese painting and nationality not in conflict. Under the premise:national adhering to the characteristics of Chinese painting figure painting as the bottom line, and constantly push forward its modern transformation to meet the times and itself requirement and as the guarantee of Chinese figure painting art can stand in th forest of overworld arts.(C) Of the Chinese painting portraits in depth the importance of life characteristics.Depth of life is divided into two aspects:firstly,to nature, to nature as teacher; secondly; to society, to understand and grasp the pulse of the times,.After the founding of New China,under the new policy,of literature and art, people pick up the brush painters, go outside, depict real life and the working people of the new look with grate enthusiasm. this is an important factor that figure painting can be towards prosperity in a short time. |
PDF Full Text Request