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Yunnan Heavy Color Painting, And Tianjin Heavy-color Painting In The 20th Century, 80-90 Years Comparative Study

Posted on:2011-07-17Degree:MasterType:Thesis
Country:ChinaCandidate:K H YuFull Text:PDF
GTID:2205360308974768Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Innovations in the 20th century Chinese painting is based on the ink, started in the realistic, and its end will also be the spirit of the West realism in the East of impressionistic style complete penetration and dissolution, so that Chinese painting to a new position.My research has three purposes: First, to understand the many ethnic minorities in Yunnan is a gathering place, a border ethnic characteristics, plant kingdom, and characteristics of the animal kingdom, so beautiful, rich, mysterious Yunnan more to figurative, artistic but gives with fresh, mystery, and is called"Fam"."Art from Life"demonstrates how the art of Yunnan local characteristics at the same time above the top of Art, to create spectacular works of art, which requires re-painting each Yunnan painter done their best to break through the self, seeking to develop. Followed by Tianjin, Yunnan Heavy-color painting and color painting more weight you will find the most important point is important in Yunnan Heavy-color painting color, decoration and the Deformation and Tianjin than realistic, traditional and production. This is not to say that artists do not pay attention to succession in Yunnan Province, learn and develop the contrary I think the Yunnan artists doing very well in those such as Yuan Xiao Cen, Wang Jin Yuan, Ding Shao Guang their contribution to the arts at home and abroad that are obvious to all. Their works draw personal strength of character, draw a fine of Yunnan, gas, God. They are indeed worthy of a banner Yunnan School of Painting. Unfortunately, a representative of the artists like the small number makes the succession at some out of touch, did not form a strong overall climate. The third is the era of development and social progress. Yunnan Heavy-color painting how to adapt to the requirements of the times and with the times to learn from the artist became the key to the progress of Yunnan. Western painting's colors strong, thick, in the performance of texture images, three-dimensional, light flu wins Chinese painting edge. How to learn from its artistic merits of the country for our use, Yunnan has become urgent re-thinking painter painted a problem.
Keywords/Search Tags:To blend orient and west, Color wash painting, Wang Jin Yuan, Ding Shao Guang, He Jia Ying
PDF Full Text Request
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